Presenting the first full-length collection of essays on Eudora Welty’s novel,
Delta Wedding (1946), this volume is the fourth book in Rodopi Press’s
Dialogue Series. Within these pages, emerging and experienced literary critics engage in an exciting dialogue about Welty’s noted novel, presenting a wide range of scholarship that focuses on feminist concerns, pays tribute to the rhetoric of exclusion and empowerment, examines the role of outsider and boundaries, explores meaning-making, and highlights the novel’s humor and musicality. This volume will no doubt be of interest to Welty aficianados as well as southern studies and feminist scholars and to those who are interested in the craft of writing fiction.
Reading Jack Kerouac’s classic
On the Road through Virginia Woolf’s canonical
A Room of One’s Own, the author of this book examines a genre in North American literature which, despite its popularity, has received little attention in literary and cultural criticism: women’s road narratives. The study shows how women’s literature has inscribed itself into the American discourse of the Whitmanesque “open road”, or, more generally, the “freedom of the road”. Women writers have participated in this powerful American myth, yet at the same time also have rejected that myth as fundamentally based on gendered and racial/ethnic hierarchies and power structures, and modified it in the process of writing back to it. The book analyzes stories about female runaways, outlaws, questers, adventurers, kidnappees, biker chicks, travelling saleswomen, and picaras and makes theoretical observations on the debates regarding discourses of spatiality and mobility—debates which have defined the so-called spatial turn in the humanities.
The analytical concept of transdifference is introduced to theorize the dissonant plurality of social and cultural affiliations as well as the narrative tensions produced by such pluralities in order to better understand the textual worlds of women’s multiple belongings as they are present in these writings.
Roads of Her Own is thus not only situated in the broader context of a constructivist cultural studies, but also, by discussing narrative mobility under the sign of gender, combines insights from social theory and philosophy, feminist cultural geography, and literary studies.
Key names and concepts: Doreen Massey – Rosi Braidotti – Literary Studies – Spatial Turn – Gendered Space and Mobility – Nomadism – Road writing – Transdifference – American Culture – Popular Culture – Women’s Literature after the Second Wave – Quest – Picara.
This exciting collection of interdisciplinary essays explores the later decades of the nineteenth century in America - the immediate postbellum period, the Gilded Age, and the Progressive Era - as a time of critical change in the cultural visibility of women, as they made new kinds of appearances throughout American society.
The essays show how, across the USA, it was fundamentally women who drove changes in their visibility forward, in groups and as individuals. Their motivations, activities and understandings were essential to shaping the character of their present society and the nation's future.
The book establishes that these women's engagement with American society and culture cannot be simply understood in terms of the traditional polarities of inside/outside and private/public, since these frames do not fit the complexities of what was happening, be it women's occupation of geographic space, their new patterns of employment, their advocacy of working-class or ethnic rights, or their literary or cultural engagement with their milieux. Such women as Ida B. Wells, Mother Jones, Jane Addams, Rebecca Harding Davis, Willa Cather, Sarah Orne Jewett, Louisa May Alcott and Kate Douglas Wiggin all come under consideration in the light of these radical changes.
The subject of
Images of America in Scandinavia, the first comprehensive study of its kind, is as multifaceted, complex, and overwhelming as America or the United States, itself. It concerns the nature and function, reality and fiction of such images in Denmark, Norway, and Sweden past and present. The book is intended to be a source of solid information as well as a starting point for further inquiries into its cultural territory.
Part of its focus is on images of America rooted in printed sources, but, in addition, general surveys of other cultural signs of America in the Scandinavian countries present a broader picture and provide some of the background for the predominantly literary images. Issues such as government and politics, popular and vanguard music and art, and socio-cultural institutions intermittently come to the fore.
Framing the volume's three pairs of national surveys is an introductory chapter, which addresses the entire subject from a bird's-eye view, and a concluding chapter, which, by contrast, delves into the cross-fire of sentiments defining people whose images of America, are both American and Scandinavian. The discussion of America as perceived in Scandinavia sheds new light on intriguing inter-Scandinavian cultural distinctions and borderlines.
Countless books and articles, methods and theories, have been devoted to the study of national and cultural identity. Still, the exchanges between such identities and the images they engender - so indispensable for the participants in a global culture - remain clouded by many misconceptions.
Images of America in Scandinavia whose editors and authors all have Scandinavian backgrounds, will contribute an improved understanding of the cultural interplay between Scandinavia and the United States of America.
In postcolonial theory we have now reached a new stage in the succession of key concepts. After the celebrations of hybridity in the work of Homi Bhabha and Gayatri Spivak, it is now the concept of diaspora that has sparked animated debates among postcolonial critics. This collection intervenes in the current discussion about the 'new' diaspora by placing the rise of diaspora within the politics of multiculturalism and its supercession by a politics of difference and cultural-rights theory. The essays present recent developments in Jewish negotiations of diasporic tradition and experience, discussing the reinterpretation of concepts of the 'old' diaspora in late twentieth- century British and American Jewish literature. The second part of the volume comprises theoretical and critical essays on the South Asian diaspora and on multicultural settings between Australia, Africa, the Caribbean and North America. The South Asian and Caribbean diasporas are compared to the Jewish prototype and contrasted with the Turkish diaspora in Germany. All essays deal with literary reflections on, and thematizations of, the diasporic predicament.
With contributions from over 30 scholars,
A Global History of Consumer Co-operation surveys the origins and development of the consumer co-operative movement from the mid-nineteenth century until the present day. The contributions, covering the history of co-operation in different national contexts in Europe, the Americas, Asia and Australasia, illustrate the wide variety of forms that consumer co-operatives have taken; the different political, economic and social contexts in which they have operated; the ideological influences on their development; and the reasons for their expansion and decline at different times. The book also explores the connections between co-operatives in different parts of the world, challenging assumptions that the story of global co-operation can be traced exclusively to the 1844 Rochdale Co-operative Society.
Contributors are: Amélie Artis, Nikola Balnave, Patrizia Battilani, Johann Brazda, Susan Fitzpatrick-Behrens, María Eugenia Castelao Caruana, Kay-Wah Chan, Bernard Degen, Danièle Demoustier, Espen Ekberg, Dulce Freire, Katarina Friberg, Mary Hilson, Mary Ip, Florian Jagschitz, Pernilla Jonsson, Kim Hyung-mi, Akira Kurimoto, Simon Lambersens, Catherine C LeGrand, Ian MacPherson, Francisco José Medina-Albaladejo, Alain Mélo, Jessica Gordon Nembhard, Silke Neunsinger, Greg Patmore, Joana Dias Pereira, Michael Prinz, Siegfried Rom, Robert Schediwy, Corrado Secchi, Geert Van Goethem, Griselda Verbeke, Rachael Vorberg-Rugh, Mirta Vuotto, Anthony Webster and John Wilson.
This volume stems from the idea that the notion of borders and borderlines as clear-cut frontiers separating not only political and geographical areas, but also cultural, linguistic and semiotic spaces, does not fully address the complexity of contemporary cultural encounters. Centering on a whole range of literary works from the United States and the Caribbean, the contributors suggest and discuss different theoretical and methodological grounds to address the literary production taking place across the lines in North American and Caribbean culture. The volume represents a pioneering attempt at proposing the concept of the border as a useful paradigm not only for the study of Chicano literature but also for the other American literatures. The works presented in the volume illustrate various aspects and manifestations of the textual border(lands), and explore the double-voiced discourse of border texts by writers like Harriet E. Wilson, Rudolfo Anaya, Toni Morrison, Cormac McCarthy, Louise Erdrich, Helena Viramontes, Paule Marshall and Monica Sone, among others. This book is of interest for scholars and researchers in the field of comparative American studies and ethnic studies.
The years between 1775 and 1815 constitute a crucial episode in the evolutionary history of Europe and America. Between the start of the American Revolution, with the first armed clashes between British regulars and American militiamen at Concord and Lexington, and the closing act of the French Revolution, with the eclipse of Napoleon's dreams of pan-European glory on the battlefield of Waterloo, America and Europe witnessed the rise and fall of radicalism, which left virtually no aspect of public and private life untouched. While the American colonies managed to wrench themselves away from their colonial parent, and while France careered down the stormy rapids of its own Revolution, Great Britain went through the turbulent process of redefining itself vis-à-vis both these emerging nations, and the world at large. But the period 1775 to 1815 offers more than the two ideological Revolutions that determined the face of modern America and Europe: feeding into and emanating from these Revolutions there were major watersheds in virtually all areas of cultural, intellectual and political life - varying from the rise of Romanticism to the birth of abolitionism, and from the beginnings of modern feminism to the creation of modern nationhood and its enduring cultural stereotypes.
In this collection of interdisciplinary essays, historians and literary critics from both sides of the Atlantic analyze a broad spectrum of the watersheds and faultlines that arose in this formative era of Euro-American relations. Individually, the essays trace one or more of the transatlantic patterns of intellectual, cultural or scientific cross-pollination between the Old and the New World, between pre- and post-Revolutionary modes and mores. Collectively, the essays argue that the many revolutions that produced the national ideologies, identities and ideas of state of present-day America and Europe did not merely play a role in national debates, but that they very much belonged to an intricate network of transnational and, more particularly, transatlantic dialogues.
Quakers and Native Americans examines the history of interactions between Quakers and Native Americans (American Indians). Fourteen scholarly essays cover the period from the 1650s to the twentieth century. American Indians often guided the Quakers by word and example, demanding that they give content to their celebrated commitment to peace. As a consequence, the Quakers’ relations with American Indians has helped define their sense of mission and propelled their rise to influence in the U.S. Quakers have influenced Native American history as colonists, government advisors, and educators, eventually promoting boarding schools, assimilation and the suppression of indigenous cultures. The final two essays in this collection provide Quaker and American Indian perspectives on this history, bringing the story up to the present day.
Contributors include: Ray Batchelor, Lori Daggar, John Echohawk, Stephanie Gamble, Lawrence M. Hauptman, Allison Hrabar, Thomas J. Lappas, Carol Nackenoff, Paula Palmer, Ellen M. Ross, Jean R. Soderlund, Mary Beth Start, Tara Strauch, Marie Balsley Taylor, Elizabeth Thompson, and Scott M. Wert.
Minneapolis in the early 1930s was anything but a union stronghold. An employers' association known as the Citizens' Alliance kept labour organisations in check, at the same time as it cultivated opposition to radicalism in all forms. This all changed in 1934. The year saw three strikes, violent picket-line confrontations, and tens of thousands of workers protesting in the streets.
Bryan D. Palmer tells the riveting story of how a handful of revolutionary Trotskyists, working in the largely non-union trucking sector, led the drive to organise the unorganised, to build one large industrial union. What emerges is a compelling narrative of class struggle, a reminder of what can be accomplished, even in the worst of circumstances, with a principled and far-seeing leadership.