Lusotopie is an international comparatist specialized journal devoted to political analysis of present-day spaces stemming from Portuguese history and colonization. It deals with general issues in political analysis (nationalism, ethnicity, neo-liberalism, State reform, federalism, gender, civil war, media, civil society, election; etc.): it provides an original approach within this heterogeneous postcolonial space on the four continents and in numerous diasporas. Founded in 1994, Lusotopie has published a diverse range of contributions from researchers of over 30 different nationalities, often from Southern countries. It has brought up an galitarian dialogue space due to systematic use of three international languages (French, Portuguese and English).
Lusotopie est une revue comparatiste internationale, dont le but est le développement de la recherche politique sur les espaces contemporains issus de l’histoire et de la colonisation, portugaises. Elle entend poser tous les problèmes généraux de l’analyse politique (nationalisme, ethnicité, néolibéralisme, réforme de l’État, fédéralisme, relations de genre, guerres civiles, médias, société civile, élections, etc.): son originalité est de les “traiter” au sein de cet espace postcolonial et composite, présent sur quatre continent s et dans de nombreuses diasporas. Paraissant depuis 1994, Lusotopie a publié des travaux d’auteurs de plus de trente nationalités, souvent originaires de pays du Sud et institué un espace de dialogue égalitaire grâce à son usage systématique de trois langues internationales (français, portugais et anglais).
Lusotopie é uma revista comparatista internacional cujo objectivo é o desenvolvimento da inves t igação polít ica sobre os espaços contemporâneos provenientes da história e da colonização, portuguesas. Propõe-se abordar os problemas gerais da análise política (nacionalismo, etnicidade, neoliberalismo, reforma do Estado, federalismo, relações de género, guerras civis, media, eleições, etc.): a originalidade da revista é a de tratar aqueles problemas no seio do espaço post-colonial e plural, presente em quatro continentes e em numerosas diásporas. Saindo desde 1994 Lusotopie publicou trabalhos de autores de mais de trinta nacionalidades, muitos dos quais naturais de países do Sul, e instituiu um espaço de diálogo egalitário graças ao uso sistemático de três línguas internacionais (francês, inglês e português).
The present volume looks at the relation between travel writing and cultural memory from a variety of perspectives, ranging from theoretical concerns with genres and conventions to detailed analyses of single texts. As befits the topic, the contributions roam far and wide, both geographically and historically. Some detail early Portuguese voyages of discovery, particularly to the East. Others depict encounters between Early, and not so early, Modern Western travelers and their Other interlocutors. Still others focus on travel writings as literature. Voyages and voyaging in literature form the subject of the last category of essays gathered here. Amongst the authors discussed are Fernão Mendes Pinto, Jean de Sponde, Furtado de Mendonça, Sor Juana Inéz de la Cruz, Elsa Morante, Ingeborg Bachmann, Sophia Andresen, Paul Claudel, Graham Greene, Valéry Larbaud, David Mourão-Ferreira, J.M.G. le Clézio, José Saramago, Michel Leiris, and Claude Lévi-Strauss. The volume concludes with an essay by the French-Lebanese author Salah Stétié.
Over the last two decades, the experiences of colonization and decolonization, once safely relegated to the margins of what occupied students of history and literature, have shifted into the latter's center of attention, in the West as elsewhere. This attention does not restrict itself to the historical dimension of colonization and decolonization, but also focuses upon their impact upon the present, for both colonizers and colonized. The nearly fifty essays here gathered examine how literature, now and in the past, keeps and has kept alive the experiences - both individual and collective - of colonization and decolonization. The contributors to this volume hail from the four corners of the earth, East
and West, North
and South. The authors discussed range from international luminaries past and present such as Aphra Behn, Racine, Blaise Cendrars, Salman Rushdie, Graham Greene, Derek Walcott, Guimarães Rosa, J.M. Coetzee, André Brink, and Assia Djebar, to less known but certainly not lesser authors like Gioconda Belli, René Depestre, Amadou Koné, Elisa Chimenti, Sapho, Arthur Nortje, Es'kia Mphahlele, Mark Behr, Viktor Paskov, Evelyn Wilwert, and Leïla Houari. Issues addressed include the role of travel writing in forging images of foreign lands for domestic consumption, the reception and translation of Western classics in the East, the impact of contemporary Chinese cinema upon both native and Western audiences, and the use of Western generic novel conventions in modern Egyptian literature.
The human condition in rural, provincial locations is once again gaining status as a subject of European ‘high fiction’, after several decades in which it was dismissed on aesthetic and ideological grounds. This volume is one of the first attempts to investigate perspectives on local cultures, values and languages both systematically and in a European context. It does so by examining the works of a variety of authors, including Hugo Claus, Llamazares, Bergounioux and Millet, Buffalino and Consolo, and also several Soviet authors, who paint a grim picture of a collectivized – and thus ossified – rurality. How do these themes relate to the ongoing trend of globalization? How do these works, which are often experimental, connect – in their form, topics, language and ideological subtext – to the traditional rural or regional genres? Far from naively celebrating a lost Eden, most of these ‘new Georgics’ reflect critically on the tensions in contemporary, peripheral, rural or regional cultures, to the point of parodying the traditional topoi and genres. This book is of interest to those wishing to reflect on the dynamics and conflicts in contemporary European rural culture.
The Festschrift Darkhei Noam: The Jews of Arab Lands presented to Norman (Noam) Stillman offers a coherent and thought-provoking discussion by eminent scholars in the field of both the history and culture of the Jews in the Islamic World from pre-modern to modern times. Based on primary sources the book speaks to the resilience, flexibility, and creativity of Jewish culture in Arab lands.
The volume clearly addresses the areas of research Norman Stillman himself has considerably contributed to. Research foci of the book are on the flexibility of Jewish law in real life, Jewish cultural life particularly on material and musical culture, the role of women in these different societies, antisemitism and Jewish responses to hatred against the Jews, and antisemitism from ancient martyrdom to modern political Zionism.
Revisiting al-Andalus brings together a range of recent scholarship on the material culture of Islamic Iberia, highlighting especially the new directions that have developed in the Anglo-American branch of this field since the 1992 catalogue of the influential exhibition, Al-Andalus: the Art of Islamic Spain. Together with examples of recent Spanish scholarship on medieval architecture and urbanism, the volume’s contributors (historians of art and architecture, archaeologists, and architects) explore topics such as the relationship between Andalusi literature and art; architecture, urbanism, and court culture; domestic architecture; archaeology as a tool for analyzing economic and architectural history; cultural transfer between the Iberian Peninsula and the New World; 19th-century “rediscovery” of al-Andalus; and modern architectural and historiographical attempts to construct an Andalusi cultural identity.
Contributors include: Antonio Almagro, Glaire D. Anderson, Rebecca Bridgman, María Judith Feliciano, Kathryn Ferry, Pedro Jiménez, Julio Navarro, Camila Mileto, Antonio Orihuela, Jennifer Roberson, Cynthia Robinson, Mariam Rosser-Owen, Antonio Vallejo Triano, and Fernando Vegas.