Mark T. Mitchell
Timothy T. Schwartz
Examines how sexual and gender values in rural Haiti are expressed through 'téat', theatrical, songs and performances among girls from 10 to 20 years. Author describes how these sexual values relate to a concept of gendered capital, or what he calls a "sexual-moral economy", whereby men who want sex with women need to provide material rewards for this sexual access. He explains how this combines with certain gender socializations and views of men, unlike women, really needing sex, and socialized toward this, also by women, and thus from an early age to aggressively pursue women, and women on the other hand toward restraint, and to require material rewards. Author illustrates, through examples, how téat songs reflect and refer to these values, often through sexual metaphors. In addition, he shows how they relate to the wider social and gender context of matrifocality and subsistence strategies, notably the household, wherein women tend to be dominant over men, who supplied the house as expected price for her sex, manages production and reproduction of her daughters in it, instilling them also with the said sexual values, and with children seen as necessary for household work, as the women also engage in market activities outside of the house.
Antonio T. Díaz-Royo
[First paragraph in part]The buildings and ruins we discover for ourselves hold a lasting place in our imagination, not to say in our affections. In a society that has neglected the formal treatment of "space," architecturally as well as in political terms, these personal discoveries can promote a subversion of sorts. Thus, the consecutive appearance of two volumes addressing the architecture produced at the turn of the century in Puerto Rico is a notable event. Each results from an architect's passionate concern with the advent of modernity. Thomas Marvel's book concentrates on the life and work of Antonin Nechodoma, an American of Bohemian origin who spent his most productive years in Puerto Rico. It is the result of his decades-long fascination with a "versatile architect, designer, and craftsman working in unusual circumstances" (p. xviii) who left, both in Puerto Rico and in the Dominican Republic, a string of edifices strangely echoing the continental Prairie School.