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Abstract

This article discusses the concept of worlding in the cinema of Małgorzata Szumowska. Informed by philosophical theory of worlding and worldliness, by thinkers such as Martin Heidegger, Hannah Arendt, and Gayatri Spivak, and the film theory of cinematic worlds, proposed by Daniel Yacavone, the project examines the function of cinematic world building and its potential connection to World Cinema and feminist filmmaking. Close analysis of Szumowska’s film The Other Lamb (2019) traces the role of monstration and mise en scène in creating emancipatory cinema.

Open Access
In: Studies in World Cinema