Search Results

You are looking at 1 - 10 of 19 items for :

  • Author or Editor: Joshua S. Mostow x
  • Asian Studies x
Clear All Modify Search
Japanese culture, marked both by a strong character of its own and by a continuing absorption of foreign elements, is surprising for its ability of perpetual renewal without loss of identity. The country's industrial organization and productivity have ensured an impact on world affairs far exceeding the numerical importance of its population.
Brill's Japanese Studies Library is concerned with the languages, history and culture of Japan in past and present. Among the subjects included are history—political, social, economic based on primary sources, including biography; religion; classical literature and performing arts; law; language; philosophy; history of science; et cetera. Geographically the series covers the Japanese isles as well as manifestations of Japanese presence abroad. Chronologically the period from the beginnings of written history until the present is covered. The series includes monographs on substantial subjects, thematic collections of articles, handbooks, text editions and translations.

The series published an average of four volumes per year over the last 5 years.
In: Performing "Nation"
In: Performing "Nation"
The Ise Stories and the Politics of Cultural Appropriation
Courtly Visions: The Ise Stories and the Politics of Cultural Appropriation traces—through the visual and literary record—the reception and use of the tenth-century literary romance through the seventeenth century. Ise monogatari ( The Ise Stories) takes shape in a salon of politically disenfranchised courtiers, then transforms later in the Heian period (794-1185) into a key subtext for autobiographical writings by female aristocrats. In the twelfth century it is turned into an esoteric religious text, while in the fourteenth it is used as cultural capital in the struggles within the imperial household. Mostow further examines the development of the standardized iconographies of the Rinpa school and the printed Saga-bon edition, exploring what these tell us about how the Ise was being read and why. The study ends with an Epilogue that briefly surveys the uses Ise was put to throughout the Edo period and into the modern day.
Gender relations were complex in Edo-period Japan (1603–1868). Wakashu, male youths, were desired by men and women, constituting a “third gender” with their androgynous appearance and variable sexuality. For the first time outside Japan, A Third Gender examines the fascination with wakashu in Edo-period culture and their visual representation in art, demonstrating how they destabilize the conventionally held model of gender binarism.

The volume will reproduce, in colour, over a hundred works, mostly woodblock prints and illustrated books from the eighteenth and nineteenth centuries produced by a number of designers ranging from such well-known artists as Okumura Masanobu, Suzuki Harunobu, Kitagawa Utamaro and Utagawa Kunisada, to lesser known artists such as Shigemasa, Eishi and Eiri. A Third Gender is based on the collection of the Royal Ontario Museum, which houses the largest collection of Japanese art in Canada, including more than 2,500 woodblock prints.
A Print Series by Kuniyoshi, Hiroshige, and Kunisada
The Hundred Poets Compared is about a 100-print series made by three famous Ukiyo-e artists of the 19th century: Kuniyoshi, Hiroshige, and Kunisada. Each print compares one of the poems from the most-beloved collection of Japanese poetry, The One Hundred Poets, One Poem Each ( Hyakunin Isshu), with a scene from Japanese history or theatre. Begun during the repressive Tenpô Reforms, the series includes many surreptitious portraits of popular actors. Herwig and Mostow explain each episode depicted and its connection to its particular poem, providing a translation of the commentary text on each print and the identification of actors and performances. This work will be welcome to Ukiyo-e collectors and scholars, as well as those interested in Kabuki and Japanese legends.
Gender Politics in Literature, Theater, and the Visual Arts of China and Japan, 1880-1940
Uniquely covering literary, visual and performative expressions of culture, this volume aims to correlate the conjunctions of nation building, gender and representation in late 19th and early 20th century China and Japan. Focusing on gender formation, the chapters explore the changing constructs of masculinities and femininities in China and Japan from the early modern up to the 1930s. Chapters focus on the dynamism that links the remodeling of traditional arts and media to the political and cultural power relations between China, Japan, and the Western world. A true tribute to multidisciplinary studies.

In: Performing "Nation"
In: Performing "Nation"
In: Performing "Nation"