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Gender Politics and Folklore Performance in Serbia
Ana Hofman examines the negotiation of the gender performances in Serbian rural areas as a result of the socialist gender policy and creation of the new “femininity” in the public sphere. She focuses on the stage performances of female amateur groups at the Village Gatherings, state-sponsored events held from the 1970s through the mid-1990s in the southeastern Serbian region of Niško Polje. Offering a multifaceted picture of the personal experiences of the socialist ideology of gender equality, Staging Socialist Femininity investigates the complex relationships between personal, interpersonal and political levels in socialism. By showing the interplay between ideology, representational and social practices in the realm of musical performance, it challenges the strong division in scholarly narratives between ideology and practice in socialist societies.
In: Mirroring Europe
In: The Media of Memory
In: The Media of Memory

The power of music to bring people across newly established national borders even during the ethnic conflict and dissolution of socialist Yugoslavia has been particularly appealing to scholars. Reflecting on the complex relationship between the affective, the aural, and the political, this issue points out the limits of existing interpretative discourses of music and memory in post-Yugoslav spaces, which underplay the lived intensity of the sensory experiences, emotional investment, and the affective technologies of remembering the past. The authors here argue that the emphasis on the social and political production of affect embedded in the experience of music might be beneficial for shedding new light on memory politics in a post-Yugoslav context. Examining why and how music matters for post-Yugoslav memory practices, the articles in this issue strive to fashion new readings that go beyond the dichotomies commonly drawn between political/nostalgic, commercial/engaged, and escapist/emancipatory. The issue thus argues that the sensorial politics of music can serve as a conceptual framework that provides an important base for new theorizations of Yugoslav cultural memories, which is done by focusing on the politics of sentimentalism and the politics of joy. Accordingly, the goal of this issue is to raise productive questions that resonate with a multiplicity of interpretational and theoretical dilemmas and gaps by mobilizing the tools of affect theory primarily to open a space and spur further criticism and theory.

In: Southeastern Europe
Blick ins Buch

This book explores the nexus of media and memory practices in contemporary Slovenia. In the age of mediatised societies, the country’s post-socialist, post-Yugoslav present has become saturated with historical revisionism and various nostalgic framings of the past.
Pušnik and Luthar have collected a wide range of case studies analysing the representation and reinterpretation of past events in newspapers, theatre, music, museums, digital media, and documentaries. The volume thus presents insights into the intricacies of the mediatisation of memory in contemporary Slovenian society.
The authors engage with dynamic uses of media today and provide new analyses of media culture as archive, site of historical reinterpretation, and repository of memory.