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This work was supported by European Union’s Horizon 2020 research and innovation programme under grant agreement No. 822682: "Populist rebellion against modernity in 21st-century Eastern Europe: neo-traditionalism and neo-feudalism – POPREBEL".
This work was supported by European Union’s Horizon 2020 research and innovation programme under grant agreement No. 822682: "Populist rebellion against modernity in 21st-century Eastern Europe: neo-traditionalism and neo-feudalism – POPREBEL".
The paper explores the identitarian context of Russia’s cinematic narratives on the war in Chechnya. It draws on various strategies of war representation through films and uncovers their ideological and political underpinnings. The author explicates how the cinematographic imagery grounded in the Chechen war experience boosts the hegemonic discourse of the Kremlin, and then discusses whether fictional films deliver critical or counter-hegemonic arguments.
This introductory article explains how the concept of biopolitics can be used as an analytical tool in the sphere of Russian studies. The author elucidates different approaches to the idea of biopolitics in contemporary political philosophy, and relates the extant theoretical debate to the ongoing political and academic discussions on power and identity in Russia, both from domestic and international perspectives. He claims that biopolitical vocabulary is a nuanced cognitive instrument for unpacking a plethora of social and cultural dimensions inherent to relations of power, and further conceptualizing the specificity of post-Soviet illiberal regimes.
This article offers a new approach to Russian foreign policy under Putin’s presidency as shifting from its ‘soft power’ model to what might be characterized through the prism of biopower. The author discusses the various meanings attached to the concept of attraction, and scrutinises the biopolitical turn in Russia as a domestic phenomenon and as a key element of Russia’s power projection abroad. It is argued that biopolitics as a power instrument can play different roles – it can be a tool to construct Russian national (and simultaneously imperial) identity and to distinguish Russia from the West, and channel for communication with conservative forces across the globe.