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A Critical Edition of Ḥāfiẓ-i Baṣīr’s Maẓhar al-ʿAjāʾib
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The Maẓhar al-ʿajāʾib is the devotional work written to expound upon the teachings of Aghā-yi Buzurg, a female religious master active in the early 16th century in Bukhara. The work was produced in 16th century Central Asia, when the region underwent major socio-economic and religio-political changes in the aftermath of the downfall of the Timurid dynasty and the establishment of the Shibanid dynasty in Mavarannahr and the Safavid dynasty in Iran.
In its portrayal of Aghā-yi Buzurg, the Maẓhar al-ʿajāʾib represents a tradition that maintained an egalitarian conception of gender in the spiritual equality of women and men, attesting to the presence of multiple voices in Muslim discourse and challenging conventional ways of thinking about gender history in early modern Central Asia.
In its portrayal of Aghā-yi Buzurg, the Maẓhar al-ʿajāʾib represents a tradition that maintained an egalitarian conception of gender in the spiritual equality of women and men, attesting to the presence of multiple voices in Muslim discourse and challenging conventional ways of thinking about gender history in early modern Central Asia.
A Critical Edition of Ḥāfiẓ-i Baṣīr’s Maẓhar al-ʿAjāʾib
Editor:
Author:
The Maẓhar al-ʿajāʾib is the devotional work written to expound upon the teachings of Aghā-yi Buzurg, a female religious master active in the early 16th century in Bukhara. The work was produced in 16th century Central Asia, when the region underwent major socio-economic and religio-political changes in the aftermath of the downfall of the Timurid dynasty and the establishment of the Shibanid dynasty in Mavarannahr and the Safavid dynasty in Iran.
In its portrayal of Aghā-yi Buzurg, the Maẓhar al-ʿajāʾib represents a tradition that maintained an egalitarian conception of gender in the spiritual equality of women and men, attesting to the presence of multiple voices in Muslim discourse and challenging conventional ways of thinking about gender history in early modern Central Asia.
In its portrayal of Aghā-yi Buzurg, the Maẓhar al-ʿajāʾib represents a tradition that maintained an egalitarian conception of gender in the spiritual equality of women and men, attesting to the presence of multiple voices in Muslim discourse and challenging conventional ways of thinking about gender history in early modern Central Asia.
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Abstract
The present study is intended to introduce and explore a hagiographical compendium known as the Tadhkira-yi Ṭāhir Īshān which was compiled in the middle of the eighteenth century in Khwarazm and Bukhara. Although this work has drawn minimal scholarly attention, it is a critical text for understanding the Naqshbandī history in Central Asia prior to the transformation of the local Sufi communities in the wake of the arrival of the Naqshbandī-Mujaddidī groups in the region.
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Abstract
The aim of the paper is twofold. Firstly, to provide a historical contextualization of Ḥāfiẓ Baṣīr, the author of the Maẓhar al-‘ajā’ib (circa 973/1565), within the Central Asian Sufi tradition based on historical and hagiographical sources from the 16th to the 18th centuries. Secondly, to locate the non-Aḥrārī silsila of the Naqshbandīya in Central Asia passing through Ḥāfiẓ Baṣīr that survived in the region of Khwarazm until the second half of the 18th century.