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Abstract
Contemporary environmental crises have their origin in the anthropocentric view of humans as separable from and superior to the natural world. Anthropocentrism also marks the realist author of modern Chinese fiction. Departing from that human-centered view, Shen Congwen’s work evinces a biological perspective and affirms an ecological understanding of life in which the writing self must trace its roots to and reciprocate with other organisms and all-encompassing nature. The animistic language of Shen’s writing delves into the ecological and bodily foundation of beauty and arts. Shen’s notion of the longue durée of biology and evolution debunks the transient zeitgeist of modern transformation and accelerations, propelled by the human domination of nature and alienation of the human body. Shen’s portrayal of sexuality reasserts the reciprocity and entwinement of inner nature with outer nature.
Abstract
Liang Qichao's novel The Future of New China views culture and commerce in international contexts under the rubric of datong. While the novel begins with a scene of cultural exchange and commerce, it soon centers on the foreign education and travel of two young protagonists, who are to become the founding fathers of a constitutional nation-state. The urgency of nation building plays out in the two young men's over the political, moral or populist means of achieving the nation. How does nation-state building relate to the initial datong cosmopolitanism? This paper suggests that Liang's nation contains international dimensions. The new Chinese nation is situated in a geopolitical network of nation-states, but it also aspires to self-determination and equality with other nations. The nation is to be built by resorting to a moral reform that contains the idea of tianxia (all under heaven). In his Discourse on the New Citizen, Liang calls for personal outlooks based on culture and morality rather than institutions or actual politics. The novel analyzes China's debates on reform and revolution; the present paper traces the connection between this moral quality of a nation and internationalism. I contend that Liang's nation-building projects an international type of aspiration toward tianxia.