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The paper provides a detailed analysis of an autobiographical poem, composed by Shmuel ha-Nagid as a commemoration of his victory in battle over the troops attacking the foregrounds of Granada. It explores the process of artistic auto-creation, unravelling the complex matrix of biblical intertexts and historical allusions as well as artistic devices and poetical mechanisms introduced by the poet in order to portray himself not only as a righteous leader of the nation and a direct heir of the Levites, but also a divinely inspired poet, an anointed “singer of God,” and “the David of his age.”

Open Access
In: The Character of David in Judaism, Christianity and Islam