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Editor: Bart Barendregt
Sonic Modernities situates Southeast Asian popular music in specific socio-historical settings, hoping that a focus on popular culture and history may shed light on how some people in a particular part of the world have been witnessing the emergence of all things modern. In its focus on pioneering artists, their creative use of new genres and border crossing technologies it aims at a rewriting of Southeast Asia’s twentieth century from the perspective of popular music makers, the entertainment industry and its ever changing audiences.
Contributors include: Bart Barendregt, Philip Yampolsky, Jan van der Putten, Adil Johan, Andrew Weintraub, Emma Baulch, Lars Gjelstad, Bettina David, Jeremy Wallach, Kees van Dijk, Wim van Zanten and Tan Sooi Beng.
In: Sonic Modernities in the Malay World
In: Sonic Modernities in the Malay World
In: Sonic Modernities in the Malay World
In: Indonesian Houses
In: Cleanliness and Culture
Over time Dutch and Indonesian composers, performers and music scholars have inspired each other and they continue to do so. The presence of the Dutch in the Netherlands East-Indies and Indonesia, but also the existence of large diasporic communities in the Netherlands have contributed to a mutual exchange in musical terms: from military brass bands, classical and liturgical music to jazz, Indo rock and more recently world music. Yet, such musical interactions have often been shaped by unequal power balances, and very divergent motifs to start with. Recollecting Resonances offers musicological, historical and anthropological explorations into those musical encounters that have been shaped in both the past and present. The resulting mutual heritage can still be listened to today.
Contributors include: Bart Barendregt, Els Bogaerts, Liesbeth Ouwehand, Gerard A. Persoon, Sumarsam, Miriam Brenner, R. Franki S. Notosudirdjo, Henk Mak van Dijk, Madelon Djajadiningrat, Clara Brinkgreve, Wim van Zanten, Matthew Cohen, Lutgard Mutsaers, Rein Spoorman, Annika Ockhorst, and Fridus Steijlen.
In: Recollecting Resonances