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Abstract
Nearly two dozen excavated Tibetan manuscripts from Dunhuang, Turfan, and Mazār Tāgh bear witness to the prevalence of a specific tradition of dice divination in Tibet. Largely dating to the ninth century, these manuscripts constitute a crucial part of the material culture of dice divination; another important part is the dice that are characteristic of this tradition. Known in Sanskrit as pāśaka-s, they are rectangular four-sided dice, and they have been found at archeological sites ranging from Mohenjo-Daro to Khotan to Egypt. From the first studies of early Tibetan dice divination texts inaugurated by A.H. Francke, scholars have emphasized the comparative and cross-cultural analysis of this method of divination. Such comparisons initially drew on the Runic Turkic Irq Bitiq, the Sanskrit Pāśakakevalī and the Bower Manuscript, and in more recent times have explored possible connections with Islamic traditions preserved in books known in Arabic as Kitāb al-Fāl and in Persian as Fāl-namāh and with Chinese traditions preserved among the Dunhuang manuscripts. The present contribution approaches this method of dice divination not through the mutable elements of poetics, and ideas of fate, luck, and fortune, which are open to adaptation to the social, aesthetic, and religious norms of various divining communities. Rather, it approaches this method of divination through a series of numbers that constitutes its “bones,” or defining elements. These include the four faces of a die; the symbols on each face; the number of oracular responses in a divination book; the order in which these are arranged; and the numerical probability of receiving a good, bad, or mixed divination. In the process of examining these numbers and comparing them across traditions, the analysis clarifies the relationship between certain traditions and offers some tentative remarks about transmission.
Abstract
Nearly two dozen excavated Tibetan manuscripts from Dunhuang, Turfan, and Mazār Tāgh bear witness to the prevalence of a specific tradition of dice divination in Tibet. Largely dating to the ninth century, these manuscripts constitute a crucial part of the material culture of dice divination; another important part is the dice that are characteristic of this tradition. Known in Sanskrit as pāśaka-s, they are rectangular four-sided dice, and they have been found at archeological sites ranging from Mohenjo-Daro to Khotan to Egypt. From the first studies of early Tibetan dice divination texts inaugurated by A.H. Francke, scholars have emphasized the comparative and cross-cultural analysis of this method of divination. Such comparisons initially drew on the Runic Turkic Irq Bitiq, the Sanskrit Pāśakakevalī and the Bower Manuscript, and in more recent times have explored possible connections with Islamic traditions preserved in books known in Arabic as Kitāb al-Fāl and in Persian as Fāl-namāh and with Chinese traditions preserved among the Dunhuang manuscripts. The present contribution approaches this method of dice divination not through the mutable elements of poetics, and ideas of fate, luck, and fortune, which are open to adaptation to the social, aesthetic, and religious norms of various divining communities. Rather, it approaches this method of divination through a series of numbers that constitutes its “bones,” or defining elements. These include the four faces of a die; the symbols on each face; the number of oracular responses in a divination book; the order in which these are arranged; and the numerical probability of receiving a good, bad, or mixed divination. In the process of examining these numbers and comparing them across traditions, the analysis clarifies the relationship between certain traditions and offers some tentative remarks about transmission.
Abstract
The introduction offers a brief and imaginative overview of the dice divination method used by a tenth-century Chinese Buddhist text called the Divination of Maheśvara (Moxishouluo bu 摩醯首羅卜). It then gives some background to the act of playing dice games with the gods in China and in India, and relates this audacious act of gambling with the divine to the ritual of dice divination. The introduction also lays out the authors’ methodology, and their approach to dice divination as a relational network in which the roles of gods, dice, divination books, symbols, and human divination users interact with one another in unpredictable ways.