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Polemics with Alberto Pio of Carpe
Author:
This volume of the Erasmi Opera Omnia contains the critical edition of Erasmus' polemics with the Italian layman Alberto Pio, Prince of Carpi, about Erasmus' New Testament Project, in particular his Paraphrases, and also his former successful works, such as his Enchiridion and Moriae encomium. Erasmus was very annoyed that a layman had criticised his theological works and, moreover, had suggested that Erasmus' theological and moral views came suspiciously close to Luther's. Erasmus also blamed his opponent for not reading the earlier defences of his views in his polemics with Beda, Stunica and the Spanish monks.
Polemics with Alberto Pio of Carpe
Author:
This volume of the Erasmi Opera Omnia contains the critical edition of Erasmus' polemics with the Italian layman Alberto Pio, Prince of Carpi, about Erasmus' New Testament Project, in particular his Paraphrases, and also his former successful works, such as his Enchiridion and Moriae encomium. Erasmus was very annoyed that a layman had criticised his theological works and, moreover, had suggested that Erasmus' theological and moral views came suspiciously close to Luther's. Erasmus also blamed his opponent for not reading the earlier defences of his views in his polemics with Beda, Stunica and the Spanish monks.
Abstract
Emblemata Sacra by Bernard Sellius Noviomagus, known above all in the 1613 edition published by Michiel Colin in Amsterdam, has long puzzled bibliographers. This article establishes Sellius's identity, describes his brief life and examines his spirituality. It reconstructs the publishing history of his single work through its three editions (Raphelengius 1593 and Colin 1613 and 1617) and assesses his achievements as a poet. The text of Emblemata Sacra, Sellius's Latin heading and epigrams accompanying Pieter van der Borcht's illustrations of scenes from the Bible, is reproduced in the Appendix with notes and an English translation.
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