Search Results

This essay is a double exemplification: the first is a visual one based on Goodman’s theory of symbols showing that art can exemplify the delimitation of the flatness. I illustrate this claim with five achromatic paintings contrasting the materiality of the canvas with its visual elements. By emphasizing the epistemic nature of arts, this article also suggests a second exemplification: the use of visual elements to question their geometric associations.

In: Art & Perception