L’imaginaire: texte et image
Edited by Claus Clüver, Matthijs Engelberts and Véronique Plesch
The imaginary as a critical concept originated in the twentieth century and has been theorized in diverse ways. It can be understood as a register of thought; the way we interpret the world; the universe of images, signs, texts, and objects of thought. In this volume, it is explored as it manifests itself in encounters between the verbal and the visual. A number of the essays brought together here explore the transposition of the imaginary in illustrations of texts and verbal renditions of images, as well as in comic books based on paintings or on verbal narratives. Others analyze ways in which books deal with film or television and investigate the imaginary in digital media. Special attention is paid to the imaginary of places and the relationship of the imaginary with memory. Written in English and French, these contributions by European and American scholars demonstrate the various concerns and approaches characteristic of contemporary scholarship in word and image studies.
Transformations of Christian Traditions and their Representation in the Arts, 1000–2000
Edited by Nils Holger Petersen, Claus Clüver and Nicolas Bell
Signs of Change: Transformations of Christian Traditions and their Representation in the Arts, 1000–2000 focuses on the changing relationships between what gradually emerged as the Arts and Christianity, the latter term covering both a stream of ideas and its institutions. The book as a whole is addressed to a general academic audience concerned with issues of cultural history, while the individual essays are also intended as scholarly contributions within their own fields. A collaborative effort by twenty-five European and American scholars representing disciplines ranging from aesthetics to the history of art and architecture, from literature, music and the theatre to classics, church history, and theology, the volume is an interdisciplinary study of intermedial phenomena, generally in larger cultural and intellectual contexts. The focus of topics extends from single concrete objects to sets of abstract concepts and values, and from a single moment in time to an entire millennium. While Signs of Change acknowledges the importance of synthesizing efforts essential to hermeneutically informed scholarship, in order to counterbalance generalized historical narratives with detailed investigations, broad accounts are juxtaposed with specialized research projects. The deliberately unchronological grouping of contributions underlines the effort to further discussion about methodologies for writing cultural history.
Space / Time / Image / Word
Edited by Claus Clüver, Véronique Plesch and Leo H. Hoek
Based on papers presented at the Fifth Triennial Conference of the International Association of Word and Image Studies (IAWIS/AERTI) held in 2002 in Hamburg, the twenty-two essays in this volume cover a wide array of intermedial relations and a great variety of media, from medieval architecture to interactive digital art. They have been arranged in sections labeled “History and Identity,” “Cultural Memory,” “Texts and Photographs: Cultural Anthropology and Cultural Memory,” “Mixed-Media Texts: Cartography in Contemporary Art and Fiction,” “Mixed-Media Texts: ‘Yellow-Cover Books’, Artists' Books, and Comics,” “Intermedia Texts: Logotypes,” and “Space, Spatialization, Virtual Space.” Displaying a range of methods and interests, these contributions by scholars from Europe, the United States, and South America working in different disciplines confirm the impression voiced by IAWIS president Charlotte Schoell-Glass in her introduction that “the influence of Visual and Cultural Studies has changed the outlook of many who study the interactions of texts and images”.