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Abstract
This article looks at three Swedish books of poetry from this century: Johan Jönson’s Efter arbetsschema (2008), UKON’s Brukaren (2011) and Lars Mikael Raattamaa’s Kommunismen (2015). What these books share is a combination of an explicit critique of life in the late capitalist (Scandinavian) welfare state and an experimental, perhaps post-poetic, practice based on seriality and quotation. Another shared feature is their insistence on an explication of the text’s positions of enunciation. Where the voice is coming from is just as important as the utterance – perhaps even more so.
Contributors: Amelie Björck, Elisabeth Friis, Holly Henry, Stefan Herbrechter, Tom Idema, Moritz Ingwersen, Cristina Iuli, Tanja Nusser, Angela Rawlings, Manuela Rossini, Dorion Sagan, Laura Shackelford, Amalie Smith, Marianne Sommer, Steve Tomasula, David Wagner, Jeff Wallace, Dominik Zechner.
Contributors: Amelie Björck, Elisabeth Friis, Holly Henry, Stefan Herbrechter, Tom Idema, Moritz Ingwersen, Cristina Iuli, Tanja Nusser, Angela Rawlings, Manuela Rossini, Dorion Sagan, Laura Shackelford, Amalie Smith, Marianne Sommer, Steve Tomasula, David Wagner, Jeff Wallace, Dominik Zechner.