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Volume Editors: Stefan Herbrechter and Elisabeth Friis
Narrating Life explores the relationship between literature, science and the arts and the way in which they are informed by the process of narrating life. More specifically, it asks: how do literature, science and the arts affect and are affected by the emergence of a critical culture of biopolitics and its rhetorical figurations? Its topicality for literary and cultural studies lies therefore in its exploration of the question: to what extent could narratives of life (or life-writing) be understood as a special practice through which to access the contemporary discussion about biopolitics with its strategies of immunity, mutation, and contagion. The individual contributions address these questions through focusing on new forms of life writing in traditional and new media, science writing and artistic and critical creative practice. In doing so, they also explore and redraw the boundaries between fictional and factual experimental practices.

Contributors: Amelie Björck, Elisabeth Friis, Holly Henry, Stefan Herbrechter, Tom Idema, Moritz Ingwersen, Cristina Iuli, Tanja Nusser, Angela Rawlings, Manuela Rossini, Dorion Sagan, Laura Shackelford, Amalie Smith, Marianne Sommer, Steve Tomasula, David Wagner , Jeff Wallace, Dominik Zechner.
In: Narrating Life – Experiments with Human and Animal Bodies in Literature, Science and Art
Encounters across Arts, Sciences and Humanities
Experimental Practices seeks to develop the status of science, art, and literature as truly experimental practices and forms of knowledge production – each borrowing from the other in order to further its drive to invention and innovation.
In times of environmental, political, and technological transformation and crisis, the urge to forge new alliances between the humanities, arts, and sciences has given rise to disciplinary hybrids, such as the environmental humanities, the medical humanities, artistic research, or the neurohumanities – all of which signal a turn towards ecological, more-than-human and posthumanist approaches in resonance with a broad array of worldly concerns. In this context, Experimental Practices is a platform for experimental forms of research at the intersections of the humanities, sciences, as well as activists outside academia around issues that shape contemporary and future cultures.
Taking “experimentation” as the practice, topic, and aim of the series, the editors welcome monographs or collected volumes around a specific concept or theme that contribute and enact a practice-based as well as theory-driven poetics of knowledge.
The series is committed to continue a fruitful collaboration with the international SLSA (Society for the Study of Literature, Science, and the Arts), including its independent European branch SLSAeu.

Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Christa Stevens.