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Abstract
This paper starts out from the thesis that the use of music in ‘Quality TV’ series of today differs significantly from the use of music in earlier TV series, insofar as, in accordance with other structural experiments, the potentials of music in television are explored and enlarged to an extent hitherto unknown in the respective series. In order to support this thesis a close look is taken at the use of music in three of the most critically acclaimed and influential ‘Quality TV’ series so far, The Sopranos, The Wire, and Breaking Bad.