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An Annual on the Visual Cultures of the Islamic World
Founded by Oleg Grabar in 1983, Muqarnas is the first academic journal devoted to art, architectural history, archaeology, as well as all aspects of Islamic visual and material cultures, historical and contemporary. Full-length articles are accompanied by shorter submissions grouped under a separate section titled “Notes and Sources,” for which we particularly welcome studies that introduce textual and visual primary sources. Muqarnas is sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts.

The first two volumes of Muqarnas were published by Yale University Press. For more information, see https://archnet.org/collections/43/publications/4420

Related series: Muqarnas, Supplements.

The series published an average of 1,5 volumes per year over the last 5 years.

Submissions and Submission Guidelines:
Manuscripts should be submitted by email to the Managing Editor of Muqarnas at muqarnas@fas.harvard.edu.The deadline is March 1 for publication in November of the following year. A complete submission includes five elements:

1. Microsoft Word document of the main text file. Submissions should be double-spaced throughout in 12-point typeface. Use endnotes rather than footnotes; no bibliography is required. Articles should be no longer than 50 pages (not including endnotes).

2. Images. All submissions must be accompanied by images, with an upper limit of approximately 30. Low-resolution images are acceptable for initial consideration, with the expectation that authors will provide high-resolution TIFFs or JPEGs (at least 300 dpi at 4 x 6 inches) and secure all necessary permissions if the article is accepted for publication.

3. Captions file. Each image should be clearly labeled and have a corresponding caption that provides identifying information and appropriate image credits.

4. Abstract and keywords. Submit a 150- to 200-word abstract and 12 keywords for publication in the online version of the journal.

5. CV, stating the author’s institutional affiliation (if any), mailing address, phone number, as well as academic status and a list of publications.

Any submission that does not include these five elements will be returned to the author, as will articles that do not conform to the Muqarnas style sheet.

Articles must present original research that has not been published in any language previously. Authors must properly credit previous scholarship on the subject and cite the source of each quotation, with full bibliographic details given in the endnotes.

All articles are subject to review by the Editorial Committee and anonymous external readers, whose comments will be sent to the author only if the article is accepted for publication. Authors may be expected to make revisions based on the feedback of the readers and editors.

Muqarnas follows the most recent edition of the Chicago Manual of Style. For further specifications on preparing text and images for publication, see the Muqarnas style sheet: https://agakhan.fas.harvard.edu/files/agakhan/files/style_sheet_dec_2019.pdf

Source: https://agakhan.fas.harvard.edu/submission-guidelines
Muqarnas: An Annual on the Visual Cultures of the Islamic World is sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts.

In Muqarnas articles are published on all aspects of Islamic visual culture, historical and contemporary, as well as articles dealing with unpublished textual primary sources.
In: Muqarnas Online
Muqarnas: An Annual on the Visual Cultures of the Islamic World is sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts.

In Muqarnas articles are published on all aspects of Islamic visual culture, historical and contemporary, as well as articles dealing with unpublished textual primary sources.
Muqarnas: An Annual on the Visual Cultures of the Islamic World is sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts.

In Muqarnas articles are published on all aspects of Islamic visual culture, historical and contemporary, as well as articles dealing with unpublished textual primary sources.
Oleg Grabar, 'Michael Meinecke and His Last Book.'
Thomas Leisten, 'Mashhad al-Nasr: Monuments of War and Victory in Medieval Islamic Art.'
Jere L. Bacharach, 'Marwanid Umayyad Building Activities: Speculations on Patronage.'
Nuha N.N. Khoury, 'The Meaning of the Great Mosque of Cordoba in the Tenth Century.'
Nasser Rabbat, 'Al-Azhar Mosque: An Architectural Chronicle of Cairo's History.'
Howyda N. Al-Harithy, 'The Complex of Sultan Hasan in Cairo: Reading between the Lines.'
Michael Cooperson, 'Baghdad in Rhetoric and Narrative.'
Aptullah Kuran, 'A Spatial Study of Three Ottoman Capitals: Bursa, Edirne, and Istanbul.'
Filiz Çaĥman and Zeren Tanindi, 'Remarks on Some Manuscripts at the Topkapi Palace Treasury in the Context of Ottoman-Safavid Relations.'
Yildirim Yavuz, 'The 1922-26 Restoration Project of the Masjid al-Aqsa by Mimar Kemalettin.'
Anthony Welch, 'A Medieval Center of Learning in India: The Haus Khas in Delhi.'
Alpay Özdural, 'On Interlocking Similar or Corresponding Figures and Ornamental Patterns of Cubic Equations.'
Robert B. Mason, 'New Looks at Old Pots: Results of Recent Multidisciplinary Studies of Glazed Ceramics from the Islamic World.'
Edward J. Keall, 'Forerunners of Umayyad Art: Sculptural Stone from the Hadramawt.'
Avinoam Shalem, 'From Royal Caskets to Relic Containers: Two Ivory Caskets from Burgos and Madrid.'
Ethel Sara Wolper, 'The Politics of Patronage: Political Change and the Construction of Dervish Lodges in Sivas.'
Robert Ousterhout, 'Ethnic Identity and Cultural Appropriation in Early Ottoman Architecture.'
Günkut Akin, 'The Müezzin Mahfili and Pool of the Selimiye Mosque in Edirne.'
Derin Terzioğlu, 'The Imperial Circumcision Festival of 1582: An Interpretation.'
Serpil Bağci, 'A New Theme of the Shirazi Frontispiece Miniatures: The Divān of Solomon.'
David J. Roxburgh, 'Heinrich Friedrich von Diez and His Eponymous Albums: Mss. Diez A. Fols. 70-74.'
Lisa Golombek, 'The Gardens of Timur: New Perspectives.'
I.I. Notkin, 'Decoding Sixteenth-Century Muqarnas Drawings.'
Essays in Honor of Oleg Grabar
Muqarnas: An Annual on the Visual Cultures of the Islamic World is sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts.

In Muqarnas articles are published on all aspects of Islamic visual culture, historical and contemporary, as well as articles dealing with unpublished textual primary sources.
Muqarnas: An Annual on the Visual Cultures of the Islamic World is sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts.

In Muqarnas articles are published on all aspects of Islamic visual culture, historical and contemporary, as well as articles dealing with unpublished textual primary sources.
Muqarnas: An Annual on the Visual Cultures of the Islamic World is sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts.

In Muqarnas articles are published on all aspects of Islamic visual culture, historical and contemporary, as well as articles dealing with unpublished textual primary sources.