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Abstract
The contribution sheds a critical light on the thirty years since the break-up of socialist Yugoslavia. It presents three hypotheses for a critical reorientation of the 1989–91 sequence. Firstly, rather than seeing 1989 as the start of the longue durée of a democratic process, for Yugoslavia this trajectory was ‘realised’ as political chaos and ethnic wars in 1991. Secondly, criticising the chronological view of ‘post-socialism’, it posits post-socialism as having already emerged after 1965, marked by market reforms that ‘withered away’ socialism. Thirdly, and specific to the 1990s, in order to facilitate the transition to capitalism, a ‘primitive accumulation’ of memory and a high degree of violence unfolded, which actually dis-accumulated the socialist infrastructure and socialised means of (re)production. The post-Yugoslav transition proved a genuine ‘contribution’ to ‘making our country great again’: ethnically cleansed nation-states on the horizon of European peripheral capitalism. The contribution concludes on an affirmative note, pointing to the slow resurgence of the Left.
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Blick ins Buch
This book explores the nexus of media and memory practices in contemporary Slovenia. In the age of mediatised societies, the country’s post-socialist, post-Yugoslav present has become saturated with historical revisionism and various nostalgic framings of the past.
Pušnik and Luthar have collected a wide range of case studies analysing the representation and reinterpretation of past events in newspapers, theatre, music, museums, digital media, and documentaries. The volume thus presents insights into the intricacies of the mediatisation of memory in contemporary Slovenian society.
The authors engage with dynamic uses of media today and provide new analyses of media culture as archive, site of historical reinterpretation, and repository of memory.
This book explores the nexus of media and memory practices in contemporary Slovenia. In the age of mediatised societies, the country’s post-socialist, post-Yugoslav present has become saturated with historical revisionism and various nostalgic framings of the past.
Pušnik and Luthar have collected a wide range of case studies analysing the representation and reinterpretation of past events in newspapers, theatre, music, museums, digital media, and documentaries. The volume thus presents insights into the intricacies of the mediatisation of memory in contemporary Slovenian society.
The authors engage with dynamic uses of media today and provide new analyses of media culture as archive, site of historical reinterpretation, and repository of memory.
Blick ins Buch
This book explores the nexus of media and memory practices in contemporary Slovenia. In the age of mediatised societies, the country’s post-socialist, post-Yugoslav present has become saturated with historical revisionism and various nostalgic framings of the past.
Pušnik and Luthar have collected a wide range of case studies analysing the representation and reinterpretation of past events in newspapers, theatre, music, museums, digital media, and documentaries. The volume thus presents insights into the intricacies of the mediatisation of memory in contemporary Slovenian society.
The authors engage with dynamic uses of media today and provide new analyses of media culture as archive, site of historical reinterpretation, and repository of memory.
This book explores the nexus of media and memory practices in contemporary Slovenia. In the age of mediatised societies, the country’s post-socialist, post-Yugoslav present has become saturated with historical revisionism and various nostalgic framings of the past.
Pušnik and Luthar have collected a wide range of case studies analysing the representation and reinterpretation of past events in newspapers, theatre, music, museums, digital media, and documentaries. The volume thus presents insights into the intricacies of the mediatisation of memory in contemporary Slovenian society.
The authors engage with dynamic uses of media today and provide new analyses of media culture as archive, site of historical reinterpretation, and repository of memory.