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Editor: Jan Bloemendal
A peer-reviewed series on topics in early modern forms of theatre, theatricality and drama. Contributions may come from any of the disciplines within the humanities, such as theatre studies, musicology, literary history, art history, book history, church history, social history, cultural history, and history of ideas. The series aims to open up new areas of research or new approaches to early modern drama. It publishes monographs, collections of essays and key text editions.

The series publishes an average of one volume per year. The series' editor-in-chief is Jan Bloemendal.
In: Daniel Heinsius, Auriacus, sive Libertas saucia (Orange, or Liberty Wounded), 1602
In: Daniel Heinsius, Auriacus, sive Libertas saucia (Orange, or Liberty Wounded), 1602
In: Daniel Heinsius, Auriacus, sive Libertas saucia (Orange, or Liberty Wounded), 1602
In: Daniel Heinsius, Auriacus, sive Libertas saucia (Orange, or Liberty Wounded), 1602
In: Between Scylla and Charybdis
In: Between Scylla and Charybdis
Editor: Jan Bloemendal
In his ‘Project of the New Testament’ Erasmus also wrote a running commentary on all New Testament books, except Revelation, in the form of a paraphrase. In this volume, the Paraphrase on John – Latin text with critical apparatus, and English introduction and commentary, is edited. In the paraphrase, Erasmus turns out to be a mature interpreter of the Bible, who advocated a new Christianity, which he called ‘the philosophy of Christ’, and implicitly criticized the clergy of his own age.