The collegia centonariorum were often seen as the municipal fire-brigades or status groups of sorts in the Roman cities. Through a close investigation of the chronological development and geographical distribution of the collegia centonariorum, their legal privileges, and the prosopographical data of members and patrons, this volume reveals a much more complex picture of their origins, characters and compositions in various regions from the first century BC to the fourth century AD. Intricately connected with the textile economy, the collegia centonariorum illustrate how elements as diverse as material demand from the military and the city of Rome, legal infrastructure, urban development, and organizations of urban-based craftsmen and tradesmen may have interfaced with each other in the Roman world.
The collegia centonariorum were often seen as the municipal fire-brigades or status groups of sorts in the Roman cities. Through a close investigation of the chronological development and geographical distribution of the collegia centonariorum, their legal privileges, and the prosopographical data of members and patrons, this volume reveals a much more complex picture of their origins, characters and compositions in various regions from the first century BC to the fourth century AD. Intricately connected with the textile economy, the collegia centonariorum illustrate how elements as diverse as material demand from the military and the city of Rome, legal infrastructure, urban development, and organizations of urban-based craftsmen and tradesmen may have interfaced with each other in the Roman world.
Ovid in China offers a fresh look at an ancient Roman author in a Chinese context and often from a Chinese perspective. The seventeen essays in this volume, by a group of international scholars, examine Ovid’s interaction with China in a broad historical context, including the arrival of Christian missionaries in 1294, the depiction of Ovidian scenes on 18th-century Chinese porcelain, the growing Chinese interest in Ovid in the early 20th century, a 21st-century collaborative project to translate Ovid’s poetry into Chinese with commentary, and comparative studies on such themes as conceptualization of time, consolation, laughter, filicide, and revenge.
Ovid in China offers a fresh look at an ancient Roman author in a Chinese context and often from a Chinese perspective. The seventeen essays in this volume, by a group of international scholars, examine Ovid’s interaction with China in a broad historical context, including the arrival of Christian missionaries in 1294, the depiction of Ovidian scenes on 18th-century Chinese porcelain, the growing Chinese interest in Ovid in the early 20th century, a 21st-century collaborative project to translate Ovid’s poetry into Chinese with commentary, and comparative studies on such themes as conceptualization of time, consolation, laughter, filicide, and revenge.