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José María Durán

Abstract

This essay explores the claim made by the so-called dialogical aesthetics that the emphasis of today’s socially engaged art lies on a modality of engagement and theatricality that follows the footsteps of the historical avant-garde. It asks if the framework of dialogism is an adequate one for the analysis of today’s socially engaged art practices that claim to be transformative. In searching for an answer, it examines the intersection of thinkers such as Brecht, Althusser, Voloshinov and Medvedev in the context of contemporary art practices.