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Abstract
This article examines the instruction regarding the wood offering and the festival of new oil in fragment 23 of 4QReworked Pentateuch C (4Q365), and in particular its setting at a future temple (
Abstract
Early Jewish writings are replete with narratives of warfare and collective violence. Yet relatively little scholarly attention has been paid to how these accounts of violence affected the way Jews structured their festal calendar. This essay examines the festivals described in 1 and 2 Maccabees that serve to commemorate the most impressive military victories of the Maccabean revolt in the second century BCE—namely, Hanukkah, Nicanor’s Day, and Simon’s Day. Paying attention to the similarities and differences between the festal texts of 1 and 2 Maccabees, I argue that the two books employ a common commemorative strategy to foster a positive collective memory of the violence of the Maccabean revolt that could both legitimize the founding figures of the Hasmonean dynasty and compete with the commemorative cultures of other Hellenistic communities. This evidence of commemorative creativity and cultural adaptation by the authors of 1 and 2 Maccabees sheds valuable light on how the memorialization of violence in the ancient Mediterranean was shaped not simply by the ideologies and institutions of discrete societies but also by their intersections and cross-cultural borrowings.
Abstract
The temple vision of Ezek 40–48 devotes considerable attention to measuring and describing the various gates and entrances of the temple compound. Previous studies have tended to focus on the defensive function of the gates. However, these structures not only bar entry but also facilitate access to the temple under certain ritualized conditions. Offering a close reading of the references to the gates in Ezek 40–48, in which particular roles and activities are associated with specific entrances, this article shows how these architectural features of the temple map a differential system in which social hierarchies are organized according to the level, direction, and timing of access ascribed to different groups and individuals within the temple compound. The article concludes by exploring the significance of the gates for how we understand the literary genre of the temple vision of Ezek 40–48, and in particular its nature as a social utopia.