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Apparitions et réapparitions de l’image d’Artine
Series:
Faux Titre, Volume: 425
Author:
Dans Intertextualité surréaliste dans la poésie de René Char, Julie S. Kleiva montre comment la figure d’Artine, initialement une représentante du surréalisme charienne, se transforme en une image complexe, polymorphe et considérablement présente à travers l’œuvre de René Char (1907-1988). En adoptant une approche intertextuelle, Kleiva soutient que la figure d’Artine représente la force déroutante au cœur de l’imagination poétique charienne. L’image revenante d’Artine favorise l’idée d’une continuité dans l’œuvre poétique de Char malgré la rupture articulée au milieu des années 30.
In Intertextualité surréaliste dans la poésie de René Char, Julie S. Kleiva demonstrates how the initially surrealist figure of Artine becomes a complex, polymorphus and, most importantly, significally present image throughout the work of the French poet René Char (1907-1988). By adopting an intertextual approach, Kleiva argues that the figure of Artine is a disturbing and confusing creative agency that corresponds to the core of Char’s poetry. The reappearing image of Artine serves to demonstrate that Char’s poetic rupture of the years from 1935-1937 has been exaggerated, and must be viewed as a development rather than a clean break.
In Intertextualité surréaliste dans la poésie de René Char, Julie S. Kleiva demonstrates how the initially surrealist figure of Artine becomes a complex, polymorphus and, most importantly, significally present image throughout the work of the French poet René Char (1907-1988). By adopting an intertextual approach, Kleiva argues that the figure of Artine is a disturbing and confusing creative agency that corresponds to the core of Char’s poetry. The reappearing image of Artine serves to demonstrate that Char’s poetic rupture of the years from 1935-1937 has been exaggerated, and must be viewed as a development rather than a clean break.
Apparitions et réapparitions de l’image d’Artine
Series:
Faux Titre, Volume: 425
Author:
Dans Intertextualité surréaliste dans la poésie de René Char, Julie S. Kleiva montre comment la figure d’Artine, initialement une représentante du surréalisme charienne, se transforme en une image complexe, polymorphe et considérablement présente à travers l’œuvre de René Char (1907-1988). En adoptant une approche intertextuelle, Kleiva soutient que la figure d’Artine représente la force déroutante au cœur de l’imagination poétique charienne. L’image revenante d’Artine favorise l’idée d’une continuité dans l’œuvre poétique de Char malgré la rupture articulée au milieu des années 30.
In Intertextualité surréaliste dans la poésie de René Char, Julie S. Kleiva demonstrates how the initially surrealist figure of Artine becomes a complex, polymorphus and, most importantly, significally present image throughout the work of the French poet René Char (1907-1988). By adopting an intertextual approach, Kleiva argues that the figure of Artine is a disturbing and confusing creative agency that corresponds to the core of Char’s poetry. The reappearing image of Artine serves to demonstrate that Char’s poetic rupture of the years from 1935-1937 has been exaggerated, and must be viewed as a development rather than a clean break.
In Intertextualité surréaliste dans la poésie de René Char, Julie S. Kleiva demonstrates how the initially surrealist figure of Artine becomes a complex, polymorphus and, most importantly, significally present image throughout the work of the French poet René Char (1907-1988). By adopting an intertextual approach, Kleiva argues that the figure of Artine is a disturbing and confusing creative agency that corresponds to the core of Char’s poetry. The reappearing image of Artine serves to demonstrate that Char’s poetic rupture of the years from 1935-1937 has been exaggerated, and must be viewed as a development rather than a clean break.