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Abstract

Process engraver and printer Emery Walker was a pivotal figure in the English, American, and continental European Private Press Movement from the 1880s until his death in 1933. This article looks at his theories for the typography, design, and production of books, and how those theories were developed by key designers and close associates of Walker such as William Morris, T. J. Cobden Sanderson, and Bruce Rogers and through the practical teaching of figures such as J. H. Mason and Edward Johnston. It examines how the theories were then taken up by the exponents of fine printing from the early 20th century through to the 1930s, focusing on the presses of Bernard Newdigate, Harry Kessler, Harold Curwen, and Francis Meynell. From these presses, and also via Stanley Morison and the Monotype Corporation, Walker’s theories are shown to have spread into mainstream book publishing in the first half of the 20th century. The article considers questions of whether the improvement in the readability of books in the early 20th century has had a continuing impact in book publishing, and makes suggestions how to access the incunabula referenced by the designers discussed, as well as collections of private press books and other early 20th-century fine printing.

In: Logos

One of a series addressing different countries, this article presents a ‘Top Ten’ choice of books about Greece plus forty or so supplementary titles. ‘Greece’ is conceptualized as including not only the modern nation state but also the broader Greek oikoumene spanning 5000 years of history. Continuities through history are emphasized to avoid a polarized perspective of ‘ancient’ and ‘modern’ Greece. The books selected cover: history, myth and folklore, biography, fiction, poetry, art, travel, society and environment, philosophy, and current affairs. Together they convey not only the distinctiveness and complexity of Greek civilization but also its perennial international significance.

In: Logos