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In: Liangyou, Kaleidoscopic Modernity and the Shanghai Global Metropolis, 1926-1945
In: Liangyou, Kaleidoscopic Modernity and the Shanghai Global Metropolis, 1926-1945
In: Liangyou, Kaleidoscopic Modernity and the Shanghai Global Metropolis, 1926-1945
In: Liangyou, Kaleidoscopic Modernity and the Shanghai Global Metropolis, 1926-1945
In: Liangyou, Kaleidoscopic Modernity and the Shanghai Global Metropolis, 1926-1945
In: Liangyou, Kaleidoscopic Modernity and the Shanghai Global Metropolis, 1926-1945
In: Liangyou, Kaleidoscopic Modernity and the Shanghai Global Metropolis, 1926-1945
Modern Asian Art and Visual Culture is an academic series devoted to the visual culture of Asia of the modern period, spanning roughly from the mid-1850s up to the present day. It includes monographs and edited volumes on art and architecture; art history; art worlds and markets; visual materials related to propaganda; religion and art and also extends to the performing arts, cinema and media studies. It also actively seeks interdisciplinary or theoretical approaches to religion, literature, and the social sciences as well as projects that address modern Asian art and visual culture from a comparative or interregional perspective.

This collection of original essays explores the rise of popular print media in China as it relates to the quest for modernity in the global metropolis of Shanghai from 1926 to 1945. It does this by offering the first extended look at the phenomenal influence of the Liangyou pictorial, The Young Companion, arguably the most exciting monthly periodical ever published in China. Special emphasis is placed on the profound social and cultural impact of this glittering publication at a pivotal time in China.

The essays explore the dynamic concept of "kaleidoscopic modernity" and offer individual case studies on the rise of "art" photography, the appeals of slick patent medicines, the resilience of female artists, the allure of aviation celebrities, the feistiness of women athletes, representations of modern masculinity, efforts to regulate the female body and female sexuality, and innovative research that locates the stunning impact of Liangyou in the broader context of related cultural developments in Tokyo and Seoul.

Contributors include: Paul W. Ricketts, Timothy J. Shea, Emily Baum, Maura Elizabeth Cunningham, Jun Lei, Amy O'Keefe, Hongjian Wang, Ha Yoon Jung, Lesley W. Ma, Tongyun Yin, and Wang Chuchu.