Abstract The Maryknoll Ecological Sanctuary, Baguio, Luzon, The Philippines, is Berry's "Great Work" already underway. The mountain knob at the intersection of Marcos Highway and Santo Tomas Road is home to the Center for the Integrity of Creation, the Environmental Theater, the Fourteen Stations of the Cosmic Journey on the grounds, and the Bio-Shelter and its own cosmic journey in the stained glass of the chapel. The entire complex, spirituality, and eco-justice work is the new amidst the old, often the new resurrected from the old. It is ancient and avant-garde at once, the transformation of deep Christian traditions now as Earth-honoring faith. Thomas Berry's stamp is clearly here, yet this is Filipino in art, architecture, and spiritual expression. Local community is integral to Earth - and cosmos - as the comprehensive community. The Sanctuary already embodies the transition from "the human devastation of Earth" to a time "when humans [are] present to the planet in a mutually beneficial manner" (p. 3, The Great Work).