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A peer-reviewed* book series that provides a forum for art-historical and interdisciplinary approaches to how art was conceived, produced, and received across a wide spectrum. It will pay particular attention to the cultural, religious, and political history of the period from 1200-1600 as seen through visual and material culture. It will contain monographs, collected essays on focused topics, text editions (with translation and commentary), and works of reference.
Print volumes are of 90,000-180,000 words (200-400 pages). Volumes will almost invariably contain a substantial number of high quality black-and-white and colour illustrations. Extra colour images, extra datasets, audio and video material, extra text and updatable guides with external links for readers can be included in an enhanced online version of the text.

*For Brill's peer review process see here.

For Brill's Open Access options click here.

The series has published an average of two volumes per year since 2014.
Dogs in Medieval and Early Modern Art, Literature, and Society
The ubiquity of references to dogs in medieval and early modern texts and images must at some level reflect their actual presence in those worlds, yet scholarly consideration of this material is rare and scattered across diverse sources. This volume addresses that gap, bringing together fifteen essays that examine the appearance, meaning, and significance of dogs in painting, sculpture, manuscripts, literature, and legal records of the period, reaching beyond Europe to include cultural material from medieval Japan and Islam. While primarily art historical in focus, the authors approach the subject from a range of disciplines and with varying methodology that ultimately reveals as much about dogs as about the societies in which they lived.
Contributors are Kathleen Ashley, Jane Carroll, Emily Cockayne, John Block Friedman, Karen M. Gerhart, Laura D. Gelfand, Craig A. Gibson, Walter S. Gibson, Nathan Hofer, Jane C. Long, Judith W. Mann, Sophie Oosterwijk, Elizabeth Carson Pastan, Donna L. Sadler, Alexa Sand, and Janet Snyder.
In: Push Me, Pull You
In: The Seven Deadly Sins
In: Our Dogs, Our Selves


The interdisciplinary essays gathered in this volume examine the diverse roles played by dogs in Medieval and Early Modern society, including how these were developed, enforced, and performed. These essays consider a wide range of interactions and representations across Europe, in Japan, and within Islamic culture. Contributors investigate, among other things, the dog as companion, iconographic signifier, saint, sinner, urban citizen, and laborer. The ways in which dogs were integrated into society and their behavior was molded and controlled is a particular focus. The volume provides rich new source material for scholars and dog lovers who wish to gain a more complete understanding of canine/human relations during the Medieval and Early Modern periods.

In: Our Dogs, Our Selves
In: Our Dogs, Our Selves
In: Our Dogs, Our Selves
In: Devotional Interaction in Medieval England and its Afterlives
In: Orte der Imagination – Räume des Affekts