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Reference Grammar, with Textual Selections
The Omoro Sōshi (1531–1623) is an indispensable resource for historical linguistic comparison of Old Okinawan with other Ryukyuan languages and Old Japanese. Leon A Serafim and Rumiko Shinzato offer a reference grammar, including detailed phonological analyses, of the otherwise opaque and dense poetic/religious language of the Omoro Sōshi.

Meshing Western linguistic insight with existing literary/linguistic work in Ryukyuan studies, and incorporating their own research on Modern Okinawan, the authors offer a grammar and phonology of the Omoro language, with selected (excerpts of) songs grammatically analyzed, phonologically reconstructed, translated, and annotated.
Rumiko Shinzato and Leon A. Serafim bring a new dimension to kakari musubi (a type of focus construction, henceforth KM) research, incorporating Japanese and Western linguistic theories, and synthesizing Okinawan and Japanese scholarship. Specifically, they analyze still-extant Okinawan KM in comparative perspective with its now extinct Japanese counterpart, while also offering reconstructed Proto-Japonic forms. Major hypotheses on the origins and demise of KM with insight from Okinawan are also evaluated.

In addition, viewing KM as consisting of kakari particle + nominalized musubi predicate, they compare KM with its structural analogs, such as (1) Modern Japanese no-da, (2) its corollary in Japanese Western Periphery dialects, and (3) English it-clefts.

Finally, the authors apply iconicity-based analyses and grammaticalization theory, interpreting correspondences between deictic-origin particles, which are shared, their epistemically unique musubi forms, and their respective functions.
In: Synchrony and Diachrony of Okinawan Kakari Musubi in Comparative Perspective with Premodern Japanese
In: Synchrony and Diachrony of Okinawan Kakari Musubi in Comparative Perspective with Premodern Japanese
In: Synchrony and Diachrony of Okinawan Kakari Musubi in Comparative Perspective with Premodern Japanese
In: Synchrony and Diachrony of Okinawan Kakari Musubi in Comparative Perspective with Premodern Japanese
In: Synchrony and Diachrony of Okinawan Kakari Musubi in Comparative Perspective with Premodern Japanese
In: Synchrony and Diachrony of Okinawan Kakari Musubi in Comparative Perspective with Premodern Japanese
In: Synchrony and Diachrony of Okinawan Kakari Musubi in Comparative Perspective with Premodern Japanese
In: Synchrony and Diachrony of Okinawan Kakari Musubi in Comparative Perspective with Premodern Japanese