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Abstract
Herder’s collection of and commentary on folksongs (Volksliedprojekt) was of enormous importance, not only for the development of (folk) poetry which received a new assignation because of the project. There were also direct political implications. This “initial spark” (Initialzündung) (Ulrich Gaier) was decisive for the poetics as much as for the politics of many of the “smaller” European nations: Herder’s project ignited debates about abolition of serfdom and colonialism, and it created theoretical foundations for the development of new literatures. The chapter traces Herder’s concept formation/conception of folksong (Volkslied) against the background of his reflections on lyrical poetry (especially the ode). It considers both his encounter with Baltic folksongs and the scholarly colloquy concerning folksongs, in which Herder participated. The question is raised to what extent Herder succeeded in evoking sympathy among German-Baltic men of letters for the folksongs of local peoples (Estonians and Latvians), and the effect of Herder’s theory of folk poetry on the poetic praxis in the Baltic.