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In: Diplomatica


Early modernists have explored a range of mobile practices taking place in cities: from religious and civic rituals to the multisensory experience of traversing streets and squares. Research has also shown the pivotal role played by cities as hubs where people came and went, ideas circulated, and goods passed through. Yet mobility did not just “take place” in cities. In presenting a new collection of articles on the subject, this paper suggests that urban spaces were more than just a stage for the streams of trade and migration. Rather, mobility had a transformative effect on cities: it assigned new meaning to urban locations, altered the ways in which space was ordered, and often refashioned the built environment itself. In addition, the paper argues that the relationship between movement and urban spaces was reciprocal: by channelling the flow of people through spaces of control and reception, cities shaped mobility as much as mobility shaped cities.

Open Access
In: Journal of Early Modern History
Since cinema is a composite language, describing a movie is a complex challenge for critics and writers, and greatly differs from the ancient and successful genre of the ekphrasis, the literary description of a visual work of art. Imaginary Films in Literature deals with a specific and significant case within this broad category: the description of imaginary, non-existent movies – a practice that is more widespread than one might expect, especially in North American postmodern fiction. Along with theoretical contributions, the book includes the analyses of some case studies focusing on the borders between the visual and the literary, intermedial practices of hybridization, the limits of representation, and other related notions such as “memory”, “fragmentation”, “desire”, “genre”, “authorship”, and “censorship”.
In: Imaginary Films in Literature
In: Imaginary Films in Literature
In: Imaginary Films in Literature