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Editor: Michael Meyer
Verbal imagery and visual images as well as the intricate relationships between verbal and visual representations have long shaped the imagination and the practice of intercultural relationships. The contributions to this volume take a fresh look at the ideology of form, especially the gendered and racial implications of the gaze and the voice in various media and intermedial transformations. Analyses of how culturally specific forms of visual and verbal expression are individually understood and manipulated complement reflections on the potential and limitations of representation. The juxtaposition of visual and verbal signifiers explores the gap between them as a space beyond cultural boundaries.
Topics treated include: Caliban; English satirical iconotexts; Oriental travel writing and illustration; expatriate description and picturesque illustration of Edinburgh; ethnographic film; African studio photography; South African cartoons; imagery, ekphrasis, and race in South African art and fiction; face and visuality, representation and memory in Asian fiction; Bollywood; Asian historical film; Asian-British pop music; Australian landscape in painting and fiction; indigenous children’s fiction from Aotearoa New Zealand, Canada, and the USA; Canadian photography; Native Americans in film.
Writers and artists discussed include: Philip Kwame Apagya; the Asian Dub Foundation; Breyten Breytenbach; Richard Burton; Peter Carey; Gurinder Chadha; Daniel Chodowiecki; J.M. Coetzee; Ashutosh Gowariker; Patricia Grace; W. Greatbatch; Hogarth; Francis K. Honny; Jim Jarmusch; Robyn Kahukiwa; Seydou Keita; Thomas King; Vladyana Krykorka; Alfred Kubin; Michael Arvaarluk Kusugak; Kathleen and Michael Lacapa; László Lakner; George Littlechild; Ken Lum; Franz Marc; Zakes Mda; Ketan Mehta; M.I.A. (Maya Arulpragasam); Timothy Mo; William Kent Monkman; Lady Mary Wortley Montagu; John Hamilton Mortimer; Sidney Nolan; Jean Rouch; Salman Rushdie; William Shakespeare; Robert Louis Stevenson; Richard Van Camp; Zapiro.
In: Post-Empire Imaginaries?
In: Teaching and Learning Mathematics in Multilingual Classrooms
In: Trauma, Memory, and Narrative in the Contemporary South African Novel
In: Word & Image in Colonial and Postcolonial Literatures and Cultures
In: Word & Image in Colonial and Postcolonial Literatures and Cultures
In: Anfangen und Aufhören
The Grapes of Wrath: A Re-Consideration is a collection of essays compiled by Steinbeck bibliographer, Michael J. Meyer, in celebration of the novel's seventieth anniversary. Following the pattern of previous books in the Dialogue series, this study presents analyses by senior Steinbeck scholars and also introduces several new voices. Issues addressed include accusations about the novel's sentimentality, speculations about its status as a work of naturalism, and questions about its experimental structure. In addition, the language and imagery of the novel, its religious overtones, and its reputation as a radical work of art are revisited with fresh insights. Because The Grapes of Wrath holds iconic stature as an American masterpiece, both scholarly and lay readers will welcome this two volume set since it includes many new avenues of approach that will encourage greater insights, deeper understandings, and further explorations of the complexities of Steinbeck’s achievements in this classic work of art.