Alchemy was a subject of no small controversy in the Middle Ages. To some scholastics, alchemy seemed to arrogate the power of divinity itself in its claim that man could replicate the products of nature by means of art; others viewed alchemy as a pure technology, unworthy of inclusion in a curriculum devoted to the study of
Summa perfectionis of Pseudo-Geber, written around the end of the 13th century as a defense of the art, became 'the Bible of the medieval alchemists,'and was still being used as late as the 17th century. The present work contains a critical edition, annotated translation, and commentary of the
The volume comprises a collection of 20 of the 43 papers presented at the Third International Round Table on Safavid Persia, held at the University of Edinburgh in August, 1998 and edited by the Round Table's organiser. The Third Round Table, the largest of the series to date, continued the emphasis of its predecessors on understanding and appreciating the legacy of the Safavid period by means of exchanges between both established and 'newer' scholars drawn from a variety of fields to facilitate an exchange of ideas, information, and methodologies across a broad range of academic disciplines between scholars from diverse disciplines and research backgrounds with a common interest in the history and culture of this period of Iran's history.
Drawing on personal interviews, manuscript collections, and the author's unpublished writings, Judie Newman offers a comprehensive study of the work of Alison Lurie from her early involvement in the Poets' Theatre to the AIDS comedy of her most recent novel, The Last Resort (1988).
In her profound social and intellectual engagement with American Utopianism, from its historical origins through such contemporary manifestations as Walter Benjamin's Hollywood, the American University, feminist theorisations, the religious cult and the gay heterotopia, and in her intertextual reworkings of folk and fairy tale, biography, diary novel, the ‘International Theme’ and the classic ghost story, Lurie maintains an uncanny ability to serve critical aesthetic purposes within a popular fictional form.
Semiotic comedies - comedies of the sign - rather than novels of manners, Lurie's fictions place her squarely within a radical American tradition.
This book deals with the values, lifestyle and code of law of four Jewish sectarian groups in the Hellenistic and Roman (Second Temple) period, in the land of Israel. It reviews the groups according to their proximity to power, highlighting the fact that political involvement has a decisive impact on the life and development of these social groups. The groups under review, the Pharisees, Sadducees, Essenes and Qumran, receive a new historical description, from the viewpoint of their proximity to power.
The issue of what determines the course of a social group, whether normative or sectarian, is discussed, and the traditional terminology is re-examined. Original terminology is established. The first part of the book deals with the question of terminology, the available sources and the presentation of the different groups.