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Signs of Change

Transformations of Christian Traditions and their Representation in the Arts, 1000–2000

Edited by Nils Holger Petersen, Claus Clüver and Nicolas Bell

Signs of Change: Transformations of Christian Traditions and their Representation in the Arts, 1000–2000 focuses on the changing relationships between what gradually emerged as the Arts and Christianity, the latter term covering both a stream of ideas and its institutions. The book as a whole is addressed to a general academic audience concerned with issues of cultural history, while the individual essays are also intended as scholarly contributions within their own fields. A collaborative effort by twenty-five European and American scholars representing disciplines ranging from aesthetics to the history of art and architecture, from literature, music and the theatre to classics, church history, and theology, the volume is an interdisciplinary study of intermedial phenomena, generally in larger cultural and intellectual contexts. The focus of topics extends from single concrete objects to sets of abstract concepts and values, and from a single moment in time to an entire millennium. While Signs of Change acknowledges the importance of synthesizing efforts essential to hermeneutically informed scholarship, in order to counterbalance generalized historical narratives with detailed investigations, broad accounts are juxtaposed with specialized research projects. The deliberately unchronological grouping of contributions underlines the effort to further discussion about methodologies for writing cultural history.
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Svein Aage Christoffersen, Geir Hellemo, Leonora Onarheim, Nils Holger Petersen and Margunn Sandal

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Svein Aage Christoffersen, Geir Hellemo, Leonora Onarheim, Nils Holger Petersen and Margunn Sandal

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Svein Aage Christoffersen, Geir Hellemo, Leonora Onarheim, Nils Holger Petersen and Margunn Sandal

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Transcendence and Sensoriness

Perceptions, Revelation, and the Arts

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Edited by Svein Aage Christoffersen, Geir Tryggve Hellemo, Leonora Onarheim, Nils Holger Petersen and Margunn Sandall

Protestant theology and culture are known for a reserved, at times skeptical, attitude to the use of art and aesthetic forms of expression in a religious context. In Transcendence and Sensoriness, this attitude is analysed and discussed both theoretically and through case studies considered in a broad theological and philosophical framework of religious aesthetics. Nordic scholars of theology, philosophy, art, music, and architecture, discuss questions of transcendence, the human senses, and the arts in order to challenge established perspectives within the aesthetics of religion and theology.