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Abstract
The Return of Culture: Anthropology’s Temptations
An important turning point in African studies in the 1980s was the emergence of culture as a central concern in fields where it had been quite marginal until then. Development experts began to emphasize culture as crucial to any intervention or project. Economists came into the habit of invoking “culture” as a final explanation, turning it into some sort of black box that had the capacity to explain why African societies continued to falsify their neat models of how development should be realized.
For anthropologists, this new attention to culture was somewhat confusing. It had always been a central notion in our discipline, especially in US anthropology. So the sudden advancement of the notion in the development industry and elsewhere opened up promising perspectives. However, this came at the very time when leading anthropologists – again, especially in the US – began to warn against the dangers of our notion of culture, insisting that anthropology had to liberate itself from its ancestral heritage, notably of this central concept. James Clifford (1988), for instance, attacks the essentialist tenor of classical anthropology’s take on culture. In his view, this notion inspires a search for an authentic core that not only risks isolating the discipline from modern changes, but also turns culture into some sort of timeless mall in which people seem to be imprisoned. Similarly, Arjun Appadurai, in his Modernity at Large: Cultural Dimensions of Globalization (1996), pleads for a complete ban on the term culture – in any case as a substantive – since it could so easily inspire a “culturalist” approach in which cultural difference seems to be a given. Appadurai warns, moreover, that such a view on culture could be dangerous in the present-day world, where globalization processes seem to be closely int ertwined with ever fiercer eruptions of communal violence.
Abstract
The Return of Culture: Anthropology’s Temptations
An important turning point in African studies in the 1980s was the emergence of culture as a central concern in fields where it had been quite marginal until then. Development experts began to emphasize culture as crucial to any intervention or project. Economists came into the habit of invoking “culture” as a final explanation, turning it into some sort of black box that had the capacity to explain why African societies continued to falsify their neat models of how development should be realized.
For anthropologists, this new attention to culture was somewhat confusing. It had always been a central notion in our discipline, especially in US anthropology. So the sudden advancement of the notion in the development industry and elsewhere opened up promising perspectives. However, this came at the very time when leading anthropologists – again, especially in the US – began to warn against the dangers of our notion of culture, insisting that anthropology had to liberate itself from its ancestral heritage, notably of this central concept. James Clifford (1988), for instance, attacks the essentialist tenor of classical anthropology’s take on culture. In his view, this notion inspires a search for an authentic core that not only risks isolating the discipline from modern changes, but also turns culture into some sort of timeless mall in which people seem to be imprisoned. Similarly, Arjun Appadurai, in his Modernity at Large: Cultural Dimensions of Globalization (1996), pleads for a complete ban on the term culture – in any case as a substantive – since it could so easily inspire a “culturalist” approach in which cultural difference seems to be a given. Appadurai warns, moreover, that such a view on culture could be dangerous in the present-day world, where globalization processes seem to be closely int ertwined with ever fiercer eruptions of communal violence.
We are keen to have the publications in this series widely available on the African continent and therefore pursue co-publishing arrangements with local publishers.
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