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In: Reading Swift
In: Reading Swift
Papers from the Fourth Münster Symposium on Jonathan Swift
Der Band enthält die sechsundzwanzig besten Vorträge des Vierten Münsteraner Symposiums zu Jonathan Swift vom Juni 2000. Thematisch ist der Band in sieben Sektionen gegliedert: I. Theoretical Concerns W. B. Carnochan, Stanford University Swift: The Canon, the Curriculum, and the Marketplace of Scholarship Clive T. Probyn, Monash University, Victoria “Convict of lyes is every sign”: Jonathan Swift and the Everyday II. Biographical Problems Bruce Arnold, Dublin Jonathan Swift: Some Current Biographical Problems Nora F. Crow, Smith Colleg, Northampton, Massachusetts Swift in Love J. A. Downie, Goldsmiths’ College, University of London “The Coffee Hessy spilt” and Other Issues in Swift’s Biography João Fróes, São Paulo, Brazil Swift’s Life in Late 1743: An Unpublished Letter from Deane Swift III. Political, Philosophical, and Literary Issues Ian Higgins, The Australian National University, Canberra Jonathan Swift and the Jacobite Diaspora Arno Löffler, Friedrich-Alexander-Universität, Erlangen-Nürnberg „Of Mean ans Great Figures“: Swift an dGreatness Michael De Porte, University of New Hapshire, Durham Riddles, Mysteries, and Lies: Swift and Secrecy Brean S. Hammond, Univeristy of Notthingham Swift’s Reading Heinz J. Vienken, Gernsbach „Nobody has ever written a really good book about Jonathan Swift“: Scouring the Recesses of Swiftian Mind
Papers from The Sixth Münster Symposium on Jonathan Swift
Assembling thirty-five lectures delivered at the Sixth Münster Symposium on Jonathan Swift in June 2011, this new volume of Reading Swift testifies to an extraordinary spectrum of research interests in the Dean of St Patrick’s, Dublin, and his works. As in the successful earlier volumes, the essays have been grouped in eight sections: biographical aspects (W. B. Carnochan, John Irwin Fischer, Clive T. Probyn, Abigail Williams); bibliographical and textual studies (Ian Gadd, James E. May); A Tale of a Tub (J. A. Downie, Gregory Lynall and Marcus Walsh, Michael McKeon); historical and religious issues (Christopher J. Fauske, Christopher Fox, Ian Higgins, Ashley Marshall, Nathalie Zimpfer); Irish vistas (Sabine Baltes, Toby Barnard, Andrew Carpenter, D. W. Hayton, James Ward); poetry (Daniel Cook, Kirsten Juhas, Stephen Karian, Dirk F. Passmann and Hermann J. Real, James Woolley); Gulliver’s Travels (Barbara M. Benedict, Allan Ingram, Ann Cline Kelly, Melinda Alliker Rabb); and reception and adaptation (Gabriella Hartvig, Clement Hawes, Heinz-Joachim Müllenbrock, Tim Parnell, Peter Sabor, Nicholas Seager, Howard D. Weinbrot). Clearly, the élan vital, which has been such a distinctive feature of Swift scholarship in the past thirty years, is continuing unabated.