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In six chapters the author examines: Evliya’s treatment of Istanbul and Cairo as the two capital cities of the Ottoman world; his geographical horizons and notions of tolerance; his attitudes toward government, justice and specific Ottoman institutions; his social status as gentleman, character type as dervish, office as caller-to-prayer and avocation as traveller; his use of various narrative styles; and his relation with his audience in the two registers of persuasion and amusement.
An Afterword situates Evliya in relation to other intellectual trends in the Ottoman world of the seventeenth century.
In six chapters the author examines: Evliya’s treatment of Istanbul and Cairo as the two capital cities of the Ottoman world; his geographical horizons and notions of tolerance; his attitudes toward government, justice and specific Ottoman institutions; his social status as gentleman, character type as dervish, office as caller-to-prayer and avocation as traveller; his use of various narrative styles; and his relation with his audience in the two registers of persuasion and amusement.
An Afterword situates Evliya in relation to other intellectual trends in the Ottoman world of the seventeenth century.
In six chapters the author examines: Evliya’s treatment of Istanbul and Cairo as the two capital cities of the Ottoman world; his geographical horizons and notions of tolerance; his attitudes toward government, justice and specific Ottoman institutions; his social status as gentleman, character type as dervish, office as caller-to-prayer and avocation as traveller; his use of various narrative styles; and his relation with his audience in the two registers of persuasion and amusement.
An Afterword situates Evliya in relation to other intellectual trends in the Ottoman world of the seventeenth century.
In six chapters the author examines: Evliya’s treatment of Istanbul and Cairo as the two capital cities of the Ottoman world; his geographical horizons and notions of tolerance; his attitudes toward government, justice and specific Ottoman institutions; his social status as gentleman, character type as dervish, office as caller-to-prayer and avocation as traveller; his use of various narrative styles; and his relation with his audience in the two registers of persuasion and amusement.
An Afterword situates Evliya in relation to other intellectual trends in the Ottoman world of the seventeenth century.
The centerpiece of the book is a critical edition of three long extracts, amounting to forty-three folios of the autograph ms., form volumes IV and V of the Seyahat- name, along with an annotated English translation on facing pages. The introduction discusses the narratological, historical, and linguistic aspects of the text, and there is a complete index of proper names.
The centerpiece of the book is a critical edition of three long extracts, amounting to forty-three folios of the autograph ms., form volumes IV and V of the Seyahat- name, along with an annotated English translation on facing pages. The introduction discusses the narratological, historical, and linguistic aspects of the text, and there is a complete index of proper names.