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- Author or Editor: Thorsten Botz-Bornstein x
Editor:
Thorsten Botz-Bornstein
Over the last several decades an increasing number of people have studied film with a general interest in philosophy. Philos-sophia, the love of wisdom, is an attempt at interpreting or questioning human existence and the world in its entirety. Naturally film can be one of its subjects. In this series, philosophical writers account for their experience of specific films, directors, certain themes, or the phenomenon of film in general. Philosophy of film exceeds the schedule of mere interpretation and puts film in relationship with classical philosophical questions such as (its own) essence, truth, or beauty. Those reflections can also take the form of film aesthetics and film theory, which are philosophical inasmuch as their approaches are methodologically sophisticated and they transgress empiricism. Benefiting from the intellectual wealth of the entire history of the humanities, this series is an ideal source for anyone interested in the philosophical dimensions of cinema.
Book Proposals
Minimum length is 80 000 words main text. Please send a book proposal (ca. 1000 words) and a CV to thorstenbotz@hotmail.com. We will then say whether the project can be taken further. Monographs, edited volumes as well as "companions to" are welcome. Complete manuscripts will be double-blind peer reviewed.
Your MS should not be simultaneously submitted to another press.
Book Proposals
Minimum length is 80 000 words main text. Please send a book proposal (ca. 1000 words) and a CV to thorstenbotz@hotmail.com. We will then say whether the project can be taken further. Monographs, edited volumes as well as "companions to" are welcome. Complete manuscripts will be double-blind peer reviewed.
Your MS should not be simultaneously submitted to another press.
Japan and the Virtual
This is a book about space. On a first level, it reflects traditional Japanese ideas of space against various “items” of Western culture. Among these items are Bakhtin's “dialogicity”, Wittgenstein’s Lebensform, and “virtual space” or “globalized” space as representatives of the latest development of an “alienated”, modern spatial experience. Some of the Western concepts of space appear as negative counter examples to “basho-like”, Japanese places; others turn out to be compatible with the Japanese idea of space.
On a second level, the book attempts to synthesize, by constantly transgressing the limits of a purely comparative activity, a quantity which the author believes to be existent in Japanese culture that is called “the virtual”. Be it Kuki Shûzô's hermeneutics of non-foundation or his ontology of dream, Nishida Kitarô’s virtual definition of the body of state, or Kimura Bin's notion of “in-between” (aida) that is so closely associated with the “virtual space” of Noh plays: what all these conceptions have in common is that they aim to transcend a flat notion of “reality” by developing “the virtual” as a complex ontological unity.
On a second level, the book attempts to synthesize, by constantly transgressing the limits of a purely comparative activity, a quantity which the author believes to be existent in Japanese culture that is called “the virtual”. Be it Kuki Shûzô's hermeneutics of non-foundation or his ontology of dream, Nishida Kitarô’s virtual definition of the body of state, or Kimura Bin's notion of “in-between” (aida) that is so closely associated with the “virtual space” of Noh plays: what all these conceptions have in common is that they aim to transcend a flat notion of “reality” by developing “the virtual” as a complex ontological unity.
Japan and the Virtual
This is a book about space. On a first level, it reflects traditional Japanese ideas of space against various “items” of Western culture. Among these items are Bakhtin's “dialogicity”, Wittgenstein’s Lebensform, and “virtual space” or “globalized” space as representatives of the latest development of an “alienated”, modern spatial experience. Some of the Western concepts of space appear as negative counter examples to “basho-like”, Japanese places; others turn out to be compatible with the Japanese idea of space.
On a second level, the book attempts to synthesize, by constantly transgressing the limits of a purely comparative activity, a quantity which the author believes to be existent in Japanese culture that is called “the virtual”. Be it Kuki Shûzô's hermeneutics of non-foundation or his ontology of dream, Nishida Kitarô’s virtual definition of the body of state, or Kimura Bin's notion of “in-between” (aida) that is so closely associated with the “virtual space” of Noh plays: what all these conceptions have in common is that they aim to transcend a flat notion of “reality” by developing “the virtual” as a complex ontological unity.
On a second level, the book attempts to synthesize, by constantly transgressing the limits of a purely comparative activity, a quantity which the author believes to be existent in Japanese culture that is called “the virtual”. Be it Kuki Shûzô's hermeneutics of non-foundation or his ontology of dream, Nishida Kitarô’s virtual definition of the body of state, or Kimura Bin's notion of “in-between” (aida) that is so closely associated with the “virtual space” of Noh plays: what all these conceptions have in common is that they aim to transcend a flat notion of “reality” by developing “the virtual” as a complex ontological unity.
Experience, Formalism, and the Question of Being
Born in Vyborg in 1884 by parents of German descent, Vasily (Wilhelm) Sesemann grew up and studied in St. Petersburg. A close friend of Viktor Zhirmunsky and Lev P. Karsavin, Sesemann taught from the early 1920s until his death in 1963 at the universities of Kaunas and Vilnius in Lithuania (interrupted only by his internment in a Siberian labor camp from 1950 to 1956).
Botz-Bornstein’s study takes up Sesemann’s idea of experience as a dynamic, constantly self-reflective, ungraspable phenomenon that cannot be objectified. Through various studies, the author shows how Sesemann develops an outstanding idea of experience by reflecting it against empathy, Erkenntnistheorie (theory of knowledge), Formalism, Neo-Kantianism, Freudian psychoanalysis, and Bergson’s philosophy. Sesemann’s thought establishes a link between Formalist thoughts about dynamics and a concept of Being reminiscent of Heidegger.
The book contains also translations of two essays by Sesemann as well as of an essay by Karsavin.
Botz-Bornstein’s study takes up Sesemann’s idea of experience as a dynamic, constantly self-reflective, ungraspable phenomenon that cannot be objectified. Through various studies, the author shows how Sesemann develops an outstanding idea of experience by reflecting it against empathy, Erkenntnistheorie (theory of knowledge), Formalism, Neo-Kantianism, Freudian psychoanalysis, and Bergson’s philosophy. Sesemann’s thought establishes a link between Formalist thoughts about dynamics and a concept of Being reminiscent of Heidegger.
The book contains also translations of two essays by Sesemann as well as of an essay by Karsavin.
Experience, Formalism, and the Question of Being
Born in Vyborg in 1884 by parents of German descent, Vasily (Wilhelm) Sesemann grew up and studied in St. Petersburg. A close friend of Viktor Zhirmunsky and Lev P. Karsavin, Sesemann taught from the early 1920s until his death in 1963 at the universities of Kaunas and Vilnius in Lithuania (interrupted only by his internment in a Siberian labor camp from 1950 to 1956).
Botz-Bornstein’s study takes up Sesemann’s idea of experience as a dynamic, constantly self-reflective, ungraspable phenomenon that cannot be objectified. Through various studies, the author shows how Sesemann develops an outstanding idea of experience by reflecting it against empathy, Erkenntnistheorie (theory of knowledge), Formalism, Neo-Kantianism, Freudian psychoanalysis, and Bergson’s philosophy. Sesemann’s thought establishes a link between Formalist thoughts about dynamics and a concept of Being reminiscent of Heidegger.
The book contains also translations of two essays by Sesemann as well as of an essay by Karsavin.
Botz-Bornstein’s study takes up Sesemann’s idea of experience as a dynamic, constantly self-reflective, ungraspable phenomenon that cannot be objectified. Through various studies, the author shows how Sesemann develops an outstanding idea of experience by reflecting it against empathy, Erkenntnistheorie (theory of knowledge), Formalism, Neo-Kantianism, Freudian psychoanalysis, and Bergson’s philosophy. Sesemann’s thought establishes a link between Formalist thoughts about dynamics and a concept of Being reminiscent of Heidegger.
The book contains also translations of two essays by Sesemann as well as of an essay by Karsavin.
Bioethical Responses to the Viagrification of the Modern World
Editor:
Thorsten Botz-Bornstein
The impotency remedy Viagra is the fastest selling drug in history. It has grown beyond being simply a medical phenomenon, but has achieved the status of cultural icon, appearing on television as a pretext for jokes or even as a murder weapon. Viagra has socio-cultural implications that are not limited to sexuality.
The Philosophy of Viagra offers a unique perspective as it examines the phenomenon of Viagra through ideas derived from more than two thousand years of philosophical reasoning. In philosophy, Eros has always had a central position. Since Plato, philosophy has held that desire is not only a medical but also a spiritual phenomenon and that scientific explanations claiming to give an exhaustive account of erotic perception are misleading. Philosophical ideas are able to debunk various scientific rationalizations of sexuality – one of which is the clinical-sexological discourse on Viagra. In this volume, several authors interpret Viagra through the lens of classical philosophy explicating the themes of immortality and hedonism. Others offer psychoanalytical considerations by confronting clinical sexology with psychological realities. Still others evoke intercultural aspects revealing the relative character of potency that the phenomenon of Viagra attempts to gloss over.
Bioethical Responses to the Viagrification of the Modern World
Editor:
Thorsten Botz-Bornstein
The impotency remedy Viagra is the fastest selling drug in history. It has grown beyond being simply a medical phenomenon, but has achieved the status of cultural icon, appearing on television as a pretext for jokes or even as a murder weapon. Viagra has socio-cultural implications that are not limited to sexuality.
The Philosophy of Viagra offers a unique perspective as it examines the phenomenon of Viagra through ideas derived from more than two thousand years of philosophical reasoning. In philosophy, Eros has always had a central position. Since Plato, philosophy has held that desire is not only a medical but also a spiritual phenomenon and that scientific explanations claiming to give an exhaustive account of erotic perception are misleading. Philosophical ideas are able to debunk various scientific rationalizations of sexuality – one of which is the clinical-sexological discourse on Viagra. In this volume, several authors interpret Viagra through the lens of classical philosophy explicating the themes of immortality and hedonism. Others offer psychoanalytical considerations by confronting clinical sexology with psychological realities. Still others evoke intercultural aspects revealing the relative character of potency that the phenomenon of Viagra attempts to gloss over.
Is virtual reality the latest grand narrative that humanity has produced? Our civilization is determined by a shift from an “original event” to a virtual “narrative”. This concerns not only virtual reality but also psychoanalysis, gene-technology, and globalization. Psychoanalysis transforms the dream into a narrative and is able to spell out the dream’s symbols. Gene-technology narrates dynamic, self-evolving evolution as a “gene code”. Discourses on “globalization” let the globe appear as once more globalized because reproduced through narrative. Finally, reality itself has come to be narrated in the form of a second reality that is called “virtual”. This book attempts to disentangle the characteristics of human reality and posthuman virtual reality and asks whether it is possible to reconcile both.
Is virtual reality the latest grand narrative that humanity has produced? Our civilization is determined by a shift from an “original event” to a virtual “narrative”. This concerns not only virtual reality but also psychoanalysis, gene-technology, and globalization. Psychoanalysis transforms the dream into a narrative and is able to spell out the dream’s symbols. Gene-technology narrates dynamic, self-evolving evolution as a “gene code”. Discourses on “globalization” let the globe appear as once more globalized because reproduced through narrative. Finally, reality itself has come to be narrated in the form of a second reality that is called “virtual”. This book attempts to disentangle the characteristics of human reality and posthuman virtual reality and asks whether it is possible to reconcile both.
What role can philosophy play in a world dominated by neoliberalism and globalization? Must it join universalist ideologies as it has in past centuries? Or might it turn to ethnophilosophy and postmodern fragmentation?
Micro and Macro Philosophy argues that universalist cosmopolitanism and egocentric culturalism are not the only alternatives. Western philosophy has created a false dichotomy. A better solution can be found in an organic philosophy that functions through micro-macro interactions. According to biologists, the twentieth century was the century of the gene, while the twenty-first century is destined to be the century of the organic.
Micro and Macro Philosophy attempts to establish such a view in philosophy; by highlighting micro-macro patterns found in history, it seeks to design new ways of "organic thinking" in the human sciences.
What role can philosophy play in a world dominated by neoliberalism and globalization? Must it join universalist ideologies as it has in past centuries? Or might it turn to ethnophilosophy and postmodern fragmentation?
Micro and Macro Philosophy argues that universalist cosmopolitanism and egocentric culturalism are not the only alternatives. Western philosophy has created a false dichotomy. A better solution can be found in an organic philosophy that functions through micro-macro interactions. According to biologists, the twentieth century was the century of the gene, while the twenty-first century is destined to be the century of the organic.
Micro and Macro Philosophy attempts to establish such a view in philosophy; by highlighting micro-macro patterns found in history, it seeks to design new ways of "organic thinking" in the human sciences.
Abstract
Claude Lévi-Strauss holds that history and anthropology differ in their choice of complementary perspectives: history organizes its data in relation to conscious expressions of social life, while anthropology proceeds by examining its unconscious foundations. For R. G. Collingwood historical science discovers not only pure facts but considers a whole series of thoughts constituting historical life. Also Lévi-Strauss sees this: “To understand history it is necessary to know not only how things are, but how they have come to be.” However, Lévi-Strauss does not perceive the double-sense of history, which can first be a record of historical “conscious” facts and second, a chain of unconscious or half-conscious acts.
Like Lévi-Strauss, Charles Bally has derived the main theses of his theory from Saussure. However, contrary to Lévi-Strauss, Bally does not find structures at the inside of the phenomena but at their outside: “Our attention is drawn to the expressive side and not to the interior side of the facts of language.” Bally calls those structures not “history” but “style.”
In Roland Barthes’s attempt to establish a structuralist system of fashion we can find a definition of style very similar to Bally’s. In the end, however, none of these thinkers addresses the fact that unconscious relations within historical life are constantly interlocked with conscious elements.
