Covering half a century, from 1895 to 1945, The Allure of the Nation examines three interlocking aspects of Chinese nationalist modernity: (1) the quest to balance global connectivity and ethnic authenticity; (2) the desire to balance national unity and local autonomy; (3) the drive to balance history’s place as a tool of political propaganda and as a weapon used to critique orthodoxy and political suppression. By viewing the nation as a cluster of spatial-temporal relations that link individuals to a territorial state, this book provides a different view of early twentieth-century China where the party-state did not have full control of political and cultural affairs, and alternative political perspectives (such as local self-government and democratic aristocracy) could be freely expressed.
Covering half a century, from 1895 to 1945, The Allure of the Nation examines three interlocking aspects of Chinese nationalist modernity: (1) the quest to balance global connectivity and ethnic authenticity; (2) the desire to balance national unity and local autonomy; (3) the drive to balance history’s place as a tool of political propaganda and as a weapon used to critique orthodoxy and political suppression. By viewing the nation as a cluster of spatial-temporal relations that link individuals to a territorial state, this book provides a different view of early twentieth-century China where the party-state did not have full control of political and cultural affairs, and alternative political perspectives (such as local self-government and democratic aristocracy) could be freely expressed.
Revolution as Restoration examines the journal Guocui xuebao (1905-1911) to elucidate the momentous political and social changes in early twentieth-century China. Rather than viewing the journal as a collection of documents for studying a thinker (e.g., Zhang Taiyan), a concept (e.g., national essence), or an intellectual movement (e.g., cultural conservatism), this book focuses on the global network of commerce and communication that allowed independent publications to appear in the Chinese print market. As such, this book offers a different perspective on the Chinese quest for modernity. It shows that, from the start, the Chinese quest for modernity was never completely orchestrated by the central government, nor was it static and monolithic as the teleology of revolution describes.
Revolution as Restoration examines the journal Guocui xuebao (1905-1911) to elucidate the momentous political and social changes in early twentieth-century China. Rather than viewing the journal as a collection of documents for studying a thinker (e.g., Zhang Taiyan), a concept (e.g., national essence), or an intellectual movement (e.g., cultural conservatism), this book focuses on the global network of commerce and communication that allowed independent publications to appear in the Chinese print market. As such, this book offers a different perspective on the Chinese quest for modernity. It shows that, from the start, the Chinese quest for modernity was never completely orchestrated by the central government, nor was it static and monolithic as the teleology of revolution describes.