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In: Experimental – Visual – Concrete
In: Neo-Baroques
In: Neo-Baroques
In: Neo-Baroques
In: Neo-Baroques
In: Neo-Baroques
In: Neo-Baroques
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Abstract

In this chapter, I present two thoughts in two successive parts. The first part puts forward a general reflection on the concept of cultural transfer (CT) that focuses on its operationality in cultural analysis. The second part follows up with a case study applied to some transnational as well as transhistorical transfers of the Baroque. These studies will be result-oriented, that is, the analysis concentrates on the final stage of the process of transfer, when the cultural material transferred is integrated – or not, as we shall see – into the cultural receiver system.

In: Cultural Transfer Reconsidered
In: Neo-Baroques
In: Neo-Baroques