Author: Zhange NI

This paper studies Su Xuelin’s imaginative and scholarly writing from the 1940s to the 1980s as a series of projects aimed at building a utopian world to reconcile the conflicting claims of Chinese nationalism and her Christian faith. In her short stories celebrating the Ming loyalists, Confucian and Catholic, who defended the Manchus unto death, she highlighted the image of the mountain as the center of their moralpolitical universe. She continued to work on the mountain in her scholarly articles and, under the influence of the European school of Pan-Babylonianism, traced the origin of Mount Kunlun, the Biblical Eden, and other sacred mountains to ancient Mesopotamia. On this basis, she postulated that Qu Yuan produced his rhapsodies by drawing from the repository of world mythologies brought to him by ancient migrations, the forgotten foundation of the Chinese civilization. Although Su’s work is limited to the medium of print culture, her seemingly disconnected projects coalesce to enact a fantastical world mediating diverse times and places. A representative of the Chinese Catholics, a knowledge community actively participating in what Henry Jenkins calls trans-media world-building, Su reimagined China and Christianity as both located in a global network of migrations and mutations.

In: Frontiers of Literary Studies in China
Author: Zhange Ni
In this selective overview of scholarship generated by The Hunger Games—the young adult dystopian fiction and film series which has won popular and critical acclaim—Zhange Ni showcases various investigations into the entanglement of religion and the arts in the new millennium. Ni introduces theories, methods, and the latest developments in the study of religion in relation to politics, audio/visual art, new media, material culture, and popular culture, whilst also reading The Hunger Games as a story that explores the variety, complexity, and ambiguity of enchantment. In popular texts such as this, religion and art—both broadly construed, that is, beyond conventional boundaries—converge in creating an enchantment that makes life more bearable and effects change in the world.