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to expect that this type of violence committed against indigenous women be recorded when the soldier in charge of recording the events in the military log uses his authority of record keeper to dehumanize and obliterate indigenous gendered subjectivities from physical and discursive existence

and cultural hierarchies by denigrating the subjectivity of some and inflating that of others. Pulling these analyses together and sifting them through feminist discussions of the denigration of the whore reveals that the effectiveness of genocidal rape relies on the manipulation of ontological and

subjectivity and individuality through the appurtenances of civilization in the shape of personal possessions. These features of abstinence and voluntary reductionism are also foregrounded in Ernest Callenbach’s Ecotopia (1975), another positive utopia from the post-war period. As a member of the SFB 1015

that identified the intersections of Chicano subjectivity and collective urgencies. Emphatically these plays endorsed the possibility of political, economic and cultural transformation. In this essay I want to focus on two cultural functions of political theater as practiced by El Teatro Campesino

intra-subjective conflict. In this regard, Freud coined the term of the “civilization and its discontent” – a lasting inner pressure and friction caused by the sense of guilt. 11 The Temptation of Soldierness The structure of civilization that Freud has explained as connected closely to inner pressure

planned in advance. But even though the testimonies reflect beliefs that later were proved false, they provide insight into the subjective perceptions of Jews at the time. Popular memory and ritualized commemoration of the Kristallnacht tend to be dominated by images of burning synagogues and vandalized

appears programmatic in that it corresponds to a change to the three parts of the first chapter. First and foremost is now the section on belief and the theological justification of religious freedom (“Nature of belief”), with the section on the personal autonomy and subjectivity of the human, and the

educational film adaptation in 1982. III. The crew directed by Andrei Konchalovsky made a short story of approximately 5500 words into a 24-minute short film. It essentially follows the sequence of events as presented in David’s narrative. Even though it gives up the subjective point of view, David’s feelings

books’ treatment of RPB 101 based on the same set of material: post-war criminal investigations, and war-time photographs depicting scenes deemed relevant for their respective argument. “Deemed” marks an important qualification, beyond the inherent subjectivity of an author’s source selection and

violence, “Humiliation, fear and powerlessness form, then, together with anger, contempt and compassion, an emotional complex endowed with a dynamics that is specific to these situations of victimization, which can provide us with a guide to understand subjective violence associated with a certain