The term ›Post-digital culture‹ describes a condition where digitality is deeply embedded not only into the medial aspects of everyday life, but also into the infrastructural and material layers of culture. The conditions of processes of subjectivation are transformed through the digital designs on multiple levels. Aesthetic education is discussed as a particular doorway to relate to transformations of the sensual, medial and material conditions of subjectivation through digital designs.
The Formation of the Subject in the Anthropocene. Sustainability, Mimesis and Ritual
The article argues that we live in the Anthropocene, where human beings become the telluric power and determine the future of the planet. This situation requires a re-evaluation of our understanding of individuality and subjectivity. Human beings must reconsider their self-concepts, their self-images, their planetary role and develop new perspectives on education. Ultimately, this also calls for practices of sustainable development, mimetic learning and ritual arrangements.
our own subjectivity by transforming it into language” (HR, p. 104). The reference to the transformation into language of our subjectivity is key here. De Man is saying that for Heidegger there is no immediate relationship even to our own subjectivity. That relationship to our own human existence is
means.” 18 In other words, interpretive, temporal, and disciplinary dichotomies become elided in a growing mountain of cumulative associations: anachronistic is opposed to historical and value-driven is opposed to fact-driven and subjective is opposed to neutral, and on and on. In an era governed
Aspekte vor: das Three-World-Model von Kari Syreeni; das problematische mirror reading angesichts der Prägung zumal polemischer Texte durch rhetorische Konventionen; den social identity approach mit verschiedenen Strategien ( „subjective belief structures“ ) zur Konstruktion sozialer Identität
‘back’ from a mere focus on objects to us as the subjective centres of any claim and, therefore, of any truth . The most crucial and least understood move in logical analysis is Hegel’s insight that any talk of distinct objects or distinct properties presupposes a practice of differentiations
, subjective truths. 5 Some subscribed to a poetics of subjectivity, others to a literary ideal of non-subjectivity; some wanted literature and the arts to be organic, others highly self-conscious, self-reflexive and ironic. Some regarded poetry, others the novel, yet others the drama as the supreme of genres
to expect that this type of violence committed against indigenous women be recorded when the soldier in charge of recording the events in the military log uses his authority of record keeper to dehumanize and obliterate indigenous gendered subjectivities from physical and discursive existence