Symbolist Playwright-Dancer Collaborations.
A Study in the Musical Context of Symbolist Poetics
Students of aesthetics, of French and comparative literature should find something of interest in this provocative and original book. For ease of reference, a detailed abstract of the contents is provided, along with English translations of all quotations in other languages.
Discourses, Strategies, and Power in the Yorùbá Play of Transformation
But odún: where is it? and what is it? And the ‘voice’? The many critical discourses have not really answered these questions. In effect, odún is many things. To enable the reader to see these, the study proceeds with an ‘intermezzo’: a frame of reference that sets odún, the festival, in its own historico-cultural ecoenvironment, identifying the strategies that inform the performance and constitute its aesthetic. It is a ‘classical’ yet, for odún, an innovative procedure. This interdisciplinary background equips the reader with the knowledge necessary to watch the performance, to witness its beauty, and to understand the ‘half words’ odún utters.
And now the performance can begin. The ‘voice’ emerges one last time, to introduce the second section, which presents two case studies. The reader is led, day by day, through the celebrations – odún edì, Morèmi’s story, and its realization in performance; then confrontation by the masks of the ancestors duing odún egúngún (particularly as held in Ibadan). The meaning of odún becomes clearer and clearer.
Odún is poetry, dances, masks, food, prayer. It is play ( eré) and belief ( ìgbàgbó). It is interaction between the players (both performers and spectators). It is also politics and power. It contains secrets and sacrifices. It is a reality with its own dimension and, above all, as the quintessential site of knowledge, it possesses the power to transform. In short, it is a challenge – a challenge that the present book and its voices take up.
Edited by Annette W. Balkema and Henk Slager
This volume investigates positions, arguments and comments regarding the stated theme. Philosophers and theorists explore the subject matter theoretically. Curators articulate the practice of art. The participants are: Hans Belting, Jan Bor, Peter Bürger, Bart Cassiman, Leontine Coelewij, Hubert Damisch, Arthur C. Danto, Bart De Baere, Okwui Enwezor, Kasper König, Sven Lütticken, Manifesta (Barbara VanderLinden), Hans Ulrich Obrist, Donald Preziosi, Survival of the Past Project (Herman Parret, Lex Ter Braak, Camiel Van Winkel), Ernst Van Alphen, Kirk Varnedoe, Gianni Vattimo, and Kees Vuyk.
Texts and Contexts
Gregory F. Tague
On Chaos and Order in the Enlightenment
Edited by Theodore E.D. Braun and John A. McCarthy
“Digging into the west: Tim Robinson’s Deep Landscapes” is a detailed exploration of Tim Robinson’s Stones of Aran: Pilgrimage with the purpose of describing Robinson’s response to Aran Islands landscape and his efforts to map Inishmore, the largest of the islands. Robinson begins by drawing a traditional map though, when he finds such maps lacking in scope, he moves on to create a deep-map — one that includes the history, languages, folklore, and religious beliefs of the island and its people. His prose work is compared and contrasted to Synge’s The Aran Islands, the most famous modern work that examines the islands, and it is shown the degree to which Robinson has sought to revise Synge’s interpretation. This essay is underlined by the works of other writers and scholars who have written influential works on landscape — Declan Kiberd and William Least Heat-Moon, in particular.
From Latin America to the Hollywood Blockbuster
Edited by Walter Moser, Angela Ndalianis and Peter Krieger
Contributors: Jens Baumgarten, Marjan Colletti, Bolívar Echeverría, Rita Eder, Hugh Hazelton, Monika Kaup, Peter Krieger, Patrick Mahon, Walter Moser, Angela Ndalianis, Richard Reddaway, Karel Vanhaesebrouck, Saige Walton.