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著者: Dalibor Mišina

documentaries I will focus on, Igor Mirković’s Sretno dijete ( A Happy Kid ) 4 and Pjer Žalica’s Orkestar ( The Orchestra ), 5 are both explorations of identity pursued through the mining the Yugoslav socialist past in an attempt to illuminate one’s personal (in the case of Sretno dijete ) or one

in Canadian-American Slavic Studies