From his first short-story to his latest novel, Javier Marías’s narrative is haunted by the spectral, a fundamental axis around which Marías deploys the fundamental questions of his literary universe: the effects of knowledge and ignorance on the interpretation of reality, the relation between the real and its representation, and the ways in which the past survives in the present. This book-length study, the first to focus on Marías’s oeuvre with a sociological and historical perspective, brings into relation the multiple spectral experiences and the tension between oblivion and memory that characterize contemporary Spanish society.
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El espectro de la herencia
la narrativa de Javier Marías
Series:
Isabel Cuñado
From his first short-story to his latest novel, Javier Marías’s narrative is haunted by the spectral, a fundamental axis around which Marías deploys the fundamental questions of his literary universe: the effects of knowledge and ignorance on the interpretation of reality, the relation between the real and its representation, and the ways in which the past survives in the present. This book-length study, the first to focus on Marías’s oeuvre with a sociological and historical perspective, brings into relation the multiple spectral experiences and the tension between oblivion and memory that characterize contemporary Spanish society.
Companion to Empire
A Genealogy of the Written Word in Spain and New Spain, c. 550–1550
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David Rojinsky
Post/Imperial Encounters
Anglo-Hispanic Cultural Relations
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Juan E. Tazón Salces and Isabel Carrera Suárez
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Teresa Amado
The relationship between the present in which the chronicle is written and the past that it records is permeated by various forms of existing memories as well as by literary devices that shape particular speech situations in which time is the real subject even if it does not appear to be so. When searching into the forms used by the text to represent time, the reference made to different times within the past that is brought to us by history and to the present to which both writer and readers belong make an interesting object of study. A close reading of such references in three fifteenth-century Portuguese chronicles helps to bring into focus the chronicler’s awareness of the variety of time distances that find actual expression in the historical discourse and to see how the idea of time was woven into the historical network.
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Margarida Madureira
This paper analyses the various aspects through which author and translator represent in their texts different ideological conceptions about the Oriental Latin States. Addressing himself to a homogeneous community, with which he shares the feelings and the points of view, Guillaume de Tyr interprets the historical events from a subjective perspective, connecting them to the present. Unlike him, the French translator, as well as his reader, lacks identification with this territory as a geographic reality. They find, thus, on the concept of ‘Christendom’, a point of view that enables the reinterpretation of those historical events, integrating the history of crusades into their own Christian history.
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Paul Trio
The starting point of this research is the chronicle ascribed to Oliver of Dixmude, which deals with the period 1377-1443 and which has hitherto always been characterized as a regional ‘Flemish’ chronicle. However, the study of this often cited chronicle offers us new (after Ghent) evidence that during the fifteenth century the genre of the town chronicle was also rather successful in the Southern Low Countries, contrary to what has always been supposed. There are several reasons why the chronicle by Oliver of Dixmude has never before been given the epithet of urban chronicle. One of them is that the edition by Lambin from 1835 – the only edition of the manuscript, which was lost in 1914 – does not faithfully present the original text. Apart from omitting the annual lists of the members of the town government, Lambin also left out several of the ‘Ypres’ fragments. It is only thanks to a previously unstudied copy of the text found in the Courtrai Town Library, that these ‘lost’ passages could be retrieved. Besides, this chronicle should be studied in the context of a much broader fifteenth-century local tradition of recording important urban events in the form of a narrative account. Indeed, the hardly known chronicle ascribed to Pieter van de Letuwe, which discusses the immediately following period 1443-1480, is very similar in structure. Even if the authorship of the persons mentioned above can be maintained, it should be kept in mind that there existed a kind of collective authorship, the members of which belonged to the leading urban elite.
The Last Good Land
Spain in American Literature
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Eugenio Suárez-Galbán
A Recipe for Discourse
Perspectives on Like Water for Chocolate
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Edited by Eric Skipper
Producing the Pacific
Maps and Narratives of Spanish Exploration (1567-1606)
Series:
Mercedes Maroto Camino
Mercedes Maroto Camino presents a cultural analysis of these journeys and takes issue with some established notions about the value of the past and the way it is always rewritten from the perspective of the present. She highlights the social, political and cultural environment in which maps and narratives circulate, suggesting that their significance is always subject to negotiation and transformation. The tapestry created by the interpretation of maps, narratives and rituals affords a view not only of the minds of the first men and women who traversed the Pacific but also of how they saw the ocean, its islands and their peoples. Producing the Pacific should, therefore, be of relevance to those interested in history, voyages, colonialism, cartography, anthropology and cultural studies.
The study of these cultural products contributes to an interpretive history of colonialism at the same time that it challenges the beliefs and assumptions that underscore our understanding of that history.