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Soviet Cinema Online, part 1 Journals & part 2 Newspapers

Periodicals and Newspapers, 1918-1942

Part 1: Journals Online • Number of titles: 27 • Languages used: Russian • Title list available • MARC records available Part 2: Newspapers Online • Number of titles: 20 • Languages used: Russian • Title list available • MARC records available • Location of originals: National Library of Russia, St. Petersburg The collection includes Soviet film magazines and newspapers from the 1920s and 1930s, reflecting the most interesting and fertile period in the history of Russian film. These publications are largely absent from book collections in the West, and are now presented for the first time as a large, complete set. They shed light on the production side of Soviet cinematography, as well as on the theoretical and practical concepts developed by the period’s leading directors and critics. They also highlight the role of film in Soviet cultural life. Film magazines and newspapers featured articles by leading Soviet directors (Lev Kuleshov, Sergei Eisenstein, Dziga Vertov, Aleksandr Dovzhenko, Abram Room), as well as members of the avant-garde LEF, leading authors and philologists.


Various Authors & Editors

World of Children in the USSR
Artek pioneer camp archives, 1944-1967

As part of our Mass Culture and Everyday Life in Russia publishing project, we are proud to announce a series of publications on the life of young people in the USSR and their subculture. The first set of documents we present are on the Artek Pioneer Camp, which are held in the Komsomol Archives.

Research Value of the Collection
This collection documents the history of Artek, the main Soviet pioneer recreation camp, and includes information on various aspects of youth policy and young people’s lives in the Soviet Union in the period from 1944 to 1967. It contains government documents, administrative, medical and financial records, transcripts of meetings, statistical reports, letters from Soviet and foreign children, diaries etc. These documents provide an insight into everyday life and mentality of Soviet children. The archive is a valuable resource for a wide circle of researchers in such fields as sociology, cultural studies, philology and political history.

• Everyday life of children/ pioneers in the USSR
• Soviet children and youth policy
• Social policy
• Totalitarian art
• Gender history
• Soviet mythology
• Ethnic policy and international relations

Artek as the Capital City of Soviet Children
This famous children camp was officially dubbed as “capital city of Soviet children”. Founded in 1925 as a medical rehabilitation centre for children, Artek soon became the model of children’s communist paradise intended as a showcase of the achievements of the State’s political and propaganda technologies. Indeed, the superb living conditions and facilities for the children staying in the camp were a dream come true compared with the usual living conditions of most Soviet people. By the 60s, tens of thousands children from various countries passed through the camp each season. The list of celebrity guests who visited Artek in the 40s and 60s includes Nikita Khruschchev, Clementine Spencer-Churchill, the British Prime Minister's wife, Jawaharlal Nehru, Indira Gandhi and Yuri Gagarin. Artek’s Archive reflects the camp’s history in the period between 1944 and 1967. All earlier records were lost during the Second World War when Artek was under the German occupation. The camp’s records covering the 70s and 80s are stored within the camp, and it is difficult for researchers to access these materials.

Children in the Soviet Union
The Soviet childhood phenomenon has recently become a subject of increasing attention of anthropologists, specialists in cultural studies, linguists, philologists as well as political and social historians. Soviet children’s culture had its own musical and language traditions, art, theatre, cinematography, powerful graphic symbols, elaborate ceremonies and rituals and its own literature. The world of the Soviet child was carefully controlled by adults. On the one hand, children immediately participated in the social life of Soviet adults: children partook in demonstrations with their parents, listened to political information on the school radio, etc. On the other hand a special microcosm was modelled for the Soviet child: the Pioneer organization. Children’s life had to flow along the stream of “rules for the behaviour of pioneers” and “pioneer laws”. A child’s time, space, everyday life and holidays were strictly regulated. Together with school, it was more effective than the family in having an effect on the upbringing of children. For many decades this guarantied the vitality of that special type of the human species, the Homo Sovieticus.

The collection contains
• Materials on Soviet social and health policies
• Children health reports, food rations and provision standards
• Materials on educational and ideological work carried out in the camp
• Numerous children’s letters including letters of foreign children
• A collection of songs and event plans
• Broadcast texts and lists of recommended films.


Edited by Tessa Knighton

The Companion to Music in the Age of the Catholic Monarchs, edited by Tess Knighton, offers a major new study that deepens and enriches our understanding of the forms and functions of music that flourished in late medieval Spanish society. The fifteen essays, written by leading authorities in the field, present a synthesis based on recently discovered material that throws new light on different aspects of musical life during the reign of Ferdinand and Isabel (1474-1516): sacred and secular music-making in royal and aristocratic circles; the cathedral music environment; liturgy and power; musical connections with Rome, Portugal and the New World; theoretical and unwritten musical practices; women as patrons and performers; and the legacy of Jewish musical tradition.
Contributors are Mercedes Castillo Ferreira, Giuseppe Fiorentino, Roberta Freund Schwartz, Eleazar Gutwirth, Tess Knighton, Kenneth Kreitner, Javier Marín López, Ascensión Mazuela-Anguita, Bernadette Nelson, Pilar Ramos López, Emilio Ros-Fábregas, Juan Ruiz Jiménez, Richard Sherr, Ronald Surtz, and Jane Whetnall.

Artists at Play

Natalia Erenburg, Iakov Tugendkhold, and the Exhibition of Russian Folk Art at the “Salon d’Automne” of 1913

Anna Winestein

collecting and display of narodnoe iskusstvo [folk art]. 1 This article addresses this gap, examining the artistic circles where the project originated, earlier efforts to present Russian folk art in Paris, the show’s rationale and selection of particular works, from private and public collections, as

The Poetics and Aesthetics of Otherness

Orientalism and Identity at Abramtsevo

Maria Taroutina

present article investigates the pervasiveness of Eastern motifs, themes, and subjects in the works of a number of prominent artists of the Abramtsevo circle, including Korovin, Polenov, Repin, Serov, Viktor Vasnetsov, and Vrubel. Mamontov himself took a keen interest in the art and culture of the East

Edited by Gert Melville, Martial Staub, Francis G. Gentry and Timothy Barnwell

The two-volume Brill's Encyclopedia of the Middle Ages offers an accessible yet engaging coverage of medieval European history and culture, c. 500-c. 1500, in a series of themed articles, taking an interdisciplinary and comparative approach. Presenting a broad range of topics current in research, the encyclopedia is dedicated to all aspects of medieval life, organized in eight sections: Society; Faith and Knowledge; Literature; Fine Arts and Music; Economy; Technology; Living Environments and Conditions; and Constitutive Historical Events and Regions. This thematic structure makes the encyclopedia a true reference work for Medieval Studies as a whole. It is accessible and concise enough for quick reference, while also providing a solid grounding in a new topic with a good level of detail, since many of its articles are longer than traditional encyclopedia entries. The encyclopedia is supported by an extensive bibliography, updated with the most recent works and adapted to suit the needs of an Anglophone audience.

Brill's Encyclopedia of the Middle Ages is a unique work, and invaluable equally for research and for teaching. Anyone interested in the art, architecture, economy, history, language, law, literature, music, religion, or science of the Middle Ages, will find the encyclopedia an indispensable resource.

This is an English translation of the second edition (2013) of the well-known German-language Enzyklopädie des Mittelalters, published by Primus Verlag / Wissenschaftliche Buchgesellschaft.

Also available online as part of Brill's Medieval Reference Library Online.

Eleonora Paston


This article examines questions related to dilettantism, typically defined in negative terms as engagement in an activity without proper professional training. However, this concept can also prompt a positive association, connoting freedom from inertia, ossified techniques, and professional stereotypes and clichés. The present article contends that dilettantism is especially necessary in transitional periods of art history. At such moments, innovations may arise more readily in intimate and amateur circles, rather than in professional contexts. Such a circle developed in the 1870s-90s among the community of artists who gathered around the prominent industrialist and philanthropist Savva Mamontov, a man of diverse talents, who astutely intuited new trends in art. This group of artists came to be known as the Abramtsevo artistic circle, after the name of Mamontov’s country estate located just outside of Moscow, where the vast majority of their artistic activities took place.

In Abramtsevo’s informal, creative atmosphere ideas for new aesthetic projects spontaneously materialized across a range of different artistic spheres—theater, architecture, decorative, and applied arts—in which members of the circle were essentially amateurs. But it is precisely in these areas that the artists would make their most significant contributions. Thus, the first seeds of a novel understanding of theatrical production as a single immersive entity were initially sown on the amateur stage of the Abramtsevo estate and subsequently fully blossomed in Mamontov’s Private Opera (1885-91; 1896-99), which played a foundational role in the development of Russian musical theater. The Church of the Spas nerukotvornyi [Savior Not Made by Human Hands], built by members of the Abramtsevo circle (1881-82), became the first exemplar of the Neo-Russian style in the history of Russian architecture, an important constituent of stil modern or Russian Art Nouveau. The activities of the kustar workshops in Abramtsevo—the carpentry workshop (1885) and the Abramtsevo ceramic studio (1890)—made a significant contribution to the development of the applied arts and industrial design in Russia, leading to their “rebirth” on a national level.

Akim Volynsky

A Hidden Russian-Jewish Prophet


Helen Tolstoy

In Akim Volynsky: A Hidden Russian-Jewish Prophet Helen Tolstoy goes far beyond the accepted image of Akim Volynsky as a controversial literary critic of the 1890s who ran the first journal of Russian Symbolists, promoted philosophic idealism and proposed the first modernist reading of Dostoevsky. This book, through the study of periodicals and archive materials, offers a new view of Volynsky as a champion of Symbolist theater, supporter of Jewish playwrights, an ardent partisan of Habima theater and finally, a theoretician of Jewish theater. Throughout his life, Volynsky was a seeker of a Jewish-Christian synthesis, both religious and moral. His grand universalist view made him the first to see the true value of leading Russian writers – his contemporaries Tolstoy and Dostoevsky.

“A Special Place”

On the Significance of Abramtsevo

Elena Voronina

than thirty thousand museum objects), as well as the wonderful landscape that is easily recognizable in the canvases of numerous famous Russian artists (the total area of the reserve is around 50 hectares). We hope that the present publication will be of interest not only to specialists, but also to

The Culture of People's Democracy

Hungarian Essays on Literature, Art, and Democratic Transition, 1945-1948


György Lukács

Edited by Tyrus Miller

When the Hungarian Marxist philosopher and literary critic György Lukács returned to Hungary from Moscow after World War II, he engaged in a highly active phase of writing and speaking about the democratic culture needed to exorcise the remnants of fascism and to create the conditions for the advance of socialism in Central Europe. His essays of the period, including the influential volume Literature and Democracy, appear here for the first time in English translation. Engaged with questions of realist and modernist world-views in art, the relations of literary history to politics and social history, and the role of cultural intellectuals in public life, these essays offer a new look at one of the most influential Marxist thinkers of the twentieth century.