“Digging into the west: Tim Robinson’s Deep Landscapes” is a detailed exploration of Tim Robinson’s Stones of Aran: Pilgrimage with the purpose of describing Robinson’s response to Aran Islands landscape and his efforts to map Inishmore, the largest of the islands. Robinson begins by drawing a traditional map though, when he finds such maps lacking in scope, he moves on to create a deep-map — one that includes the history, languages, folklore, and religious beliefs of the island and its people. His prose work is compared and contrasted to Synge’s The Aran Islands, the most famous modern work that examines the islands, and it is shown the degree to which Robinson has sought to revise Synge’s interpretation. This essay is underlined by the works of other writers and scholars who have written influential works on landscape — Declan Kiberd and William Least Heat-Moon, in particular.
contemporary perceptions of the technological and artistic situation of this part of Benin. People in this area are now overwhelmingly Muslim in belief; this fact, together with the distance from most of the Béninois centres for art historical research, which are in the south of the country (Tchibozo 1995
Olivier Gosselain, Lucie Smolderen, Victor Brunfaut, Jean-François Pinet and Alexandre Livingstone Smith
material, tools, actions, relations with other activities, organisation, beliefs and religious practices, technical vocabulary). Such enquiries were systematically completed by interviews aiming at documenting the biography of all technical actors involved. When direct observations were not possible
Anne Haour and Barpougouni Mardjoua
–175cm BD and, as the continued fill of Pit 2, its nature was the same as that of Contexts 12 and 13. Ceramics, shell and bone were recovered. This layer was sieved at 5 mm. At the close of Context 14 it became apparent that, contrary to previous belief, the bottom of Pit 5 had not been reached. Context
them. The builders used local materials and (contrary to popular belief that associates the use of earth in architecture with poverty) its use results from a population’s adaptation to its environment. 51 There is a regional specificity in southeastern Algeria: the Mzāb, the Miya, and the Rīgh are