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Daily Worker entitled, Old Friends to Keep: Studies of English Novels and Novelists (1950) and his autobiography, Solo Trumpet (1953). In his autobiography, which Jackson himself described as ‘detached and semi-detached memories of [a] life’ ( ST vi), Jackson recalls the effect which literature
bodies radiate their heightened feelings of somatic resistance, exemplifying a chain reaction of what Leszek Koczanowicz calls the microphysics of emancipation. If pragmatists correctly claimed that beliefs guide our actions, they also rightly realized that feelings similarly evoke, motivate, and shape
become separate and opposed terms. In the example used by Marx, there was no naturally motivated relationship such as there was between the form and the material stuff of a tree. 65 Form became merely the remainder of living labour and had nothing to do with the material that had been formed – “labour
towards carbon neutrality by 2035, high quality of life, advanced technological solutions and increased attractiveness to business. Kalasatama is a new district in southeastern Helsinki, currently under construction. Its urban plan was instigated in 2005 with the building of a new metro station that
practices of »anti-art«. Avant-garde art practices and promoting i.e. manifesto-like discourses point to a situation whereby a social, cultural, aesthetic, or artistic paradigm was coming to an end, to be transcended by discovering a new art, a different art, or by abandoning art in favour of life itself
cultivated by socio-cultural practices. 2 The affordance of sitting on a wooden chair created by a carpenter, for instance, exists only against a wider background of socio-cultural practices of sitting on chairs, rather than say sitting on the floor or perhaps living in a non-sedentary way altogether. 3
lasting changes in perspective, but also in behavioural changes. As cosmonaut Boris Volynov (Soyuz 5 and 21) put it: “During a space flight, the psyche of each astronaut is re-shaped; having seen the Sun, the stars and our planet, you become more full of life, softer. You begin to look at all living
, hydroelectricity captured in something modelled on the bell shapes of jellyfish, solar-powered signs with pollution filtering mechanisms motivated by marine creatures like salpidae, paddlefish, and peacock worms, bat sonar imitated to fly drones around obstacles in the dark, the wrinkling of a skin to repel dirt
also recalled a prominent recent subscription campaign run by Life in March of 1959, when stock inserts in the magazine read “Whatever it is, wherever it happens, with LIFE, you’re there , to see it with your own eyes as little as four days after it happens!” (fig. 32). You’re there : in Kaprow
complementary text, usually a maxim with which death addresses the beholder. 32 The words initiate interaction and bring the image as a personification of death to life. In the 15th and early 16th centuries the theme of death was frequently brought to the notice on the exterior of diptychs, usually accompanied