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–1956), is a case in point. He was motivated to produce the work as a tribute to the art and creative persona of Auguste Rodin (1840–1917), whose works had greatly influenced him. It has been pointed out that the piece reveals Takamura’s efforts to emulate the French master’s artistry in handling the
’s statuses on social media. Rather, people are usually motivated to post a status of their own and receive likes from others. 47 This episteme places stress on notions of curation and erudition since it is tempting, from a digital point of view, to merely offer the evidence (all the evidence) and let the